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You are viewing titles for UNIVERSITY OF SOUTHERN CALIFORNIA in the Music available through the UMI Dissertations & Thesis Gradwoorks site
 
Quantitative modeling of emotion perception in music
Computational analysis of expression in violin performance
 
Moon Songs
Parvus Meus Malleus (My Little Hammer): A monodrama for soprano, string quartet and piano
 
Only shallow
Band instrument selection by middle and high school students in international schools: Personality predictors and various influences
 
String quartet
Concerto for Percussion and Orchestra
 
"East is Red": A musical barometer for Cultural Revolution politics and culture
Tonewood
 
Harpsichord Concerto
Becoming Teresa Teng, becoming-Taiwanese
 
Ivory dreams: The music critic as performer
Flamenco nuevo: Tradition, evolution and innovation
 
Fellowship of the Ringheads: LA Opera's Ring cycle and the cult of Wagner
Mutual appreciation: Britney Spears and the media machine
 
Along the way: 30 years of Bad Religion
A case study of teacher's perception of experiences in a teacher-training program at La Opera
 
Marching bands in television and popular culture: The USC Trojan Marching Band appears on "Glee"
Be quiet: Music outside of time
 
The Sound of Surf
Jazz in South Los Angeles and its connection to the community arts
 
Pop music production
A meditative application inspired by emotional regulation
 
Perceptions of community choral children on singing and influences
Georges Delerue in Hollywood: The film composer's legacy, as seen through his final chapter
 
Finding cultural identity in Gamelan: A multimedia look at Balinese culture in Los Angeles through Gamelan Burat Wangi
Do, re, media: The image of the journalist in the Broadway musical
 
Songlines: Combining music and gesture to create a mythic experience
Whatever happened to suburban rhythm? The unsung music of Long Beach, California
 
Noise & silence: Underground music and resistance in the People's Republic of China
Herbert Howells' Requiem and "Hymnus Paradisi": Works of interconnected genesis and development
 
'Bout Time for orchestra
The effect of practicing music classroom procedures on the behavior of middle school beginning band students
 
Investigations in music similarity: Analysis, organization, and visualization using tonal features
An analysis of the music content in ten piano methods (1994--2006) for the elementary-aged beginning piano student for MENC National Standards based elements
 
One voice: A reconciliation of Harry Partch's disparate theories
Dominick Argento's "A Toccata of Galuppi's": A critical analysis of the work and its relationship to the text
 
The effects of an injury prevention intervention on playing-related pain, tension, and attitudes in the high school string orchestra classroom
User-centered computing and design in ESP: A driving interface for musical expression synthesis
 
'Give us more music': Women, musical culture, and work in wartime Britain, 1939--1946
They do that voodoo so well: A critical examination of selected songs of the founders of the American standard songbook
 
The effect of a solfege-related tactile indicator on pitch accuracy in the retention of a vocal song in visually impaired elementary and secondary students
Choral arrangements of nine songs from Argentina for the children's choir
 
A comparison of a hierarchical vocal function warm-up regimen and a routine calisthenic warm-up procedure in the choral ensemble rehearsal
Hugo Distler and the Renewal Movement in Nazi Germany
 
Lead man holler: Harry Belafonte and the culture industry
Two Hamlet scenes
 
String Quartet No. 1 "Metamorphism"
"Qin---Three Songs About Nature" for voice and percussion
 
A study of Arirang and its influence on contemporary Korean choral works
Alexander Scriabin in Russian musicology and its background in Russian intellectual history
 
Faure's "Requiem" re-examined: A study of the work's genesis, influences, and influence
Clouds: For full orchestra
 
On speaking terms: Spirituality and sensuality in the tradition of modern black female intellectualism
Astronomies of the Mind
 
Arnold Schoenberg's Prelude from the Suite for Piano, Op. 25: From composition with twelve tones to the twelve-tone method
Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists
 
Mystery of Constellation: Concerto for guitar and chamber orchestra
Incorporating music composition in middle school band rehearsals
 
Vocal jazz repertoire from 1920-1960: A selection of unpublished repertoire by the Mills Brothers, the Boswell Sisters, and the Hi-Lo's for use in classical choral programming
Adagio for Harp and Winds
 
Warping and Splintering for orchestra
Karol Szymanowski and his "Stabat Mater"
 
Disappearance
The life and influence of Dr. Lynn Bielefelt
 
Six Ways to Be Alone
A historical analysis and performing edition of Baldassare Galuppi's C-minor "Miserere" for double treble chorus and orchestra
 
Greed
Franz Schreker: Analytical approach to his choral compositions
 
Dynamic canons: How the Pulitzer prize, documentary film, and the U.S. Department of State are changing the way we think about jazz
The application of multimedia and theatrical elements to Franz Joseph Haydn's "Die Schopfung" ("The Creation"): Examples for Day Five, Scene One
 
Brush Dark Feathers for orchestra
Howard Swan, Charles Hirt, and Roger Wagner: Their influences and the building of choral culture in southern California
 
An analysis of two choral compositions with strings by Tarik O'Regan
"That music always round me": 21st century choral settings of the poetry of Walt Whitman
 
Refined gold from along the royal highway: Musical training at the California missions as a model for present-day pedagogy
High school string orchestra students' perceptions of wellness and its implications on musical performance
 
Fortuna desperata a study of symbolism
Theology as the basis for golden section analysis: A model of construction for Johann Sebastian Bach's "St. John Passion"
 
Censorship and magical opera in early nineteenth-century Vienna