ProQuest Subject Index - Film studies at UNIVERSITY OF SOUTHERN CALIFORNIA

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You are viewing titles for UNIVERSITY OF SOUTHERN CALIFORNIA in the Film studies available through the UMI Dissertations & Thesis Gradwoorks site

The influence of new media marketing public relations on the South Korean film industry in relation to the U.S. film industry	The Americano

The development of Hollywood's relationship with the military: A guide for filmmakers and military entertainment liaison officers	Spectre: Exploring the relationship between players and narratives in digital games

The tree as storied experience: An experiment in new narrative forms	Minor Battle: Explorations of a multi-spatial game experience

Runesinger: A demonstration of coupling Korean phonics and spelling to a videogame	From pulp to celluloid: Images of fictional cities

On the Shoulders of Giants: An experiment in death as a meaningful play mechanic	The essence of leadership

By nature: An exploration of effects of time on localized gameplay systems	Wong Kar-wai

Carte Blanche: Experiments in the art of interactive political satire and contemplative virtual space	Ned's Draw or: The Murder of Hi Good

Nahui Ollin, "in search of the divine force": A physical immersive interactive dance experience	Screen Test (Drivers)

What it means to be a girl: Does the portrayal of women in film and the media shape who we want to be?	The influence of brand placement in Bollywood on the Indian consumer

The Chinese film industry's soft power implications	Inside the festival: An examination of interest in Korean film in Los Angeles

The devil runs "Vogue": Miranda Priestly, Anna Wintour and the demonized fashion editor-in-chief	Jean Genet's "Un chant d'Amour" Concrete poetry of nostalgia and pleasure

Now our lives are changing fast: Music videos, everyday curation & the digital deluge	The ritual model: How to use the mechanics of ritual to create meaningful games

The moonlighters A narrative listening approach to videogame storytelling	Georges Delerue in Hollywood: The film composer's legacy, as seen through his final chapter

Lights, camera, (call to) action: Global public engagement in film launch campaigns	Shake your assets: Dance and the performance of Latina sexuality in Hollywood film

Transnational modernity, national identity, and South Korean melodrama (1945--1960s)	Declarations of independence: Film and the American mythology

Sacred vocabularies for world cinema: Transfiguring ancient aural and visual modalities to express sacredness for the contemporary age	Hidden talent: The emergence of Hollywood agents, 1928--1949

Mapping feminism: Representing women's liberation in 1970s popular media	Undermining common sense: Racial legislation, comedy, and the family

Co-producing the Asia Pacific: Travels in technology, space, time and gender	Certain tendencies in Canadian cinema: Temporary insanity and the national tax-shelter masquerade

How sequels seduce: Consumers' affective expectations for entertainment experiences	The body and its thumbnails: The work of the image in mobile-imaging

Lesbianscape of Taiwan: Media history of Taiwan's lesbians	The Hollywood Left: cinematic art and activism in the 1930s

Dangerous beauty: Representation and reception of women in the films of Evgenii Bauer, 1913--1917	Animated subjects: Globalization, media, and East Asian cultural imaginaries

When a story calls: The narrative potential of mobile media	Lead man holler: Harry Belafonte and the culture industry

Yellow Hollywood: Asian martial arts in U.S. global cinema	Rethinking feminist cinema: Agnes Varda and filmmaking in the feminine

Eclipsed cinemas: Colonial modernity and film cultures in Korea under Japanese colonial rule	Transnational film remakes: Time, space, identity

Screens on the move: Media convergence and mobile culture in Korea	Exporting tears and fantasies of (under) development: Popular television genres, globalization and nationalism in Mexico after World War II

At least half the picture: Sound and narration in the postwar/pre-Dolby American film	The exquisite corpse: Disarticulations of the artificial female

Of worlds and avatars: A playercentric approach to videogame discourse	"Comic venus:" Women and comedy in American silent film

On the structure of English subtitles in select German films	The cine-eye goes digital: Vertov, Paradjanov and the "poetic database"

"Shaken out of the ruts of ordinary perception": Vision, culture and technology in the psychedelic sixties	Cowboys of the waste land: Modernism and the American frontier

Constructing Japaneseness: War, race, and American cinema, 1924--1992	Emergent media technologies and the production of new urban spaces

Technologies of arousal: Masturbation, aesthetic education, and the post-Kantian auto-	In a state of exception: Political subjecthood in European film, 1990--2008

Riddles of representation in fantastic media	Animating documentary

A cinema of anxiety: American experimental film in the realm of art (1965--1975)	The history of documentary in Africa the colonial era

Two decades of Soviet biographical film: From revolutionary romanticism to epic monumentalism (1934-1953)	From captors to captives: American Indian responses to popular American narrative forms

Caution children crossing: Home, integration narratives, and the Gentle Warrior, 1950--1965	Cinema 4.5? Legacies of Third Cinema at the age of informational capitalism

And the dead shall walk the earth: Zombies and the politics of death	Revenge of the fanboy: Convergence culture and the politics of incorporation

Labors of love: Reading queer female kinship in the melodramatic mode	The whole truth and nothing but the truth: Documentary film and the socio-politics of justice

Dynamic canons: How the Pulitzer prize, documentary film, and the U.S. Department of State are changing the way we think about jazz	Intimate beyond words: Reconsidering the cinematic subject in light of neuroscience

The captive public: Media representations of the police and the (il)legitimacy of police power	The cultural war against Black Intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of Black liberation

Hollywood vault: The business of film libraries, 1915--1960	Deadly deviations, subversive cinema: The influence of Hollywood film noir on the French New Wave

Medusan optics: Film, feminism, and the forbidden image	White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness

¡Que naco! Border cinema and Mexican migrant audiences