ProQuest Subject Index - Music at UNIVERSITY OF PITTSBURGH

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You are viewing titles for UNIVERSITY OF PITTSBURGH in the Music available through the UMI Dissertations & Thesis Gradwoorks site

Charles Mingus and the paradoxical aspects of race as reflected in his life and music	Textural depth, structural depth, expressive depth: Ladders from line to sonority in Arvo Part and Henryk Mikolaj Gorecki, and, Burning the Deep Red Sea (an original composition for chamber ensemble)

Creating a home culture for the phonograph: Women and the rise of sound recordings in the United States, 1877--1913	Transnational cultural traffic in northeast Asia: The "presence" of Japan in Korea's popular music culture

Two ways of looking at Messiaen's "Vingt Regards sur l'Enfant-Jesus", with, Baptism (an original composition for chamber orchestra)	"Japanese in the samba": Japanese Brazilian musical citizenship, racial consciousness, and transnational migration

Sound, technology, and interpretation in subcultures of heavy music production	Visions of a "musical America" in the radio age

Composing, revising, and performing Suzhou ballads: A study of political control and artistic freedom in tanci, 1949--1964	Conflicting lines, cohesive structures: Multiple-directed linearity in Witold Lutoslawski's "Third Symphony" and "Proximate Spaces" for piano and chamber orchestra

Reshaping American music: The quotation of shape-note hymns by twentieth-century composers	'We are the Mods': A transnational history of a youth culture

Want the history? Listen to the music! Historical evidence in Anlo Ewe musical practices: A case study of traditional song texts	Pennsylvania Dutch tune and chorale books in the early Republic: Music as a medium of cultural assimilation

West African music in the music of Art Blakey, Yusef Lateef, and Randy Weston	Development of African American gospel piano style (1926--1960): A socio-musical analysis of Arizona Dranes and Thomas A. Dorsey

Samuel Babcock (1760-1813), archetypal psalmodist of the First New England School of composers	Performing Islam through Indonesian popular music, 2002--2007

Afrobeat, Fela and beyond: Scenes, style and ideology	Heroes y bandidos: Iconos populares y figuraciones de la nacion en America Latina

The birth of musicology from the spirit of evolution: Ernst Haeckel's Entwicklungslehre as central component of Guido Adler's methodology for musicology	The multivoice sacred music of Nicolas Gombert: A critical examination

A coalescence of liturgical consensus on the chants for the Mass for the Dead from its origins through the fourteenth century	Pitch and Harmony in Gyorgy Ligeti's "Hamburg Concerto" and "Syzygy" for String Quartet

Pitch symmetry in Martin Bresnick's "My Twentieth Century" and "Meden Agan" for chamber ensemble	Keep going: Narrative continuity in Luciano Berio's "Sinfonia" and "Dillinger: An American Oratorio"

What a "thump" means: Morton Feldman's treatments of Samuel Beckett's texts, and, "This Report Must Be Signed By Your Parents" for orchestra	Expressive prosody in French solo song: Gabriel Faure's "Melodies," and their historical antecedents

Re-membering trauma in the flesh literary and performative representations of race and gender in the Americas	Intercultural Composition: An Analysis of the First Movement of Justinian Tamusuza's "Mu Kkubo Ery'Omusaalaba" for String Quartet, and, Baakisimba Ne'biggu (an Original Chamber Composition)

Composing consciousness: Psychological design in the late dramatic works of Robert Schumann	"My arm is complete": A cognitive approach to gestural life in Stephen Sondheim's musical genres