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You are viewing titles for UNIVERSITY OF PENNSYLVANIA in the Music available through the UMI Dissertations & Thesis Gradwoorks site
 
Performing the Okinawan woman in taiko: Gender, folklore, and identity politics in modern Japan
 Wandering voices: Refrain citation in thirteenth-century French music and poetry
 
The East German Sonderweg to modern music, 1956--1971
 Composing with recording in mind: An analytic approach
 
Broad and Market: At the crossroads of race and class in Philadelphia jazz, 1956--1980
 Cognitive processes of improvisation: Performers and listeners in the organ tradition and contemporary gospel styles
 
"From the top of the mountain": Traditional music and the politics of place in the Central Appalachian Coalfields
 "Entre gauchos no hay fronteras": Traditional music and the post-frontier in Chilean Patagonia
 
"Can I get a witness?": Soul and salvation in Memphis music
 Hollywood blackface and its descendents: Negotiating race and difference through performances of the other in Hollywood musicals
 
Awesome in this place: Sound, space, and identity in contemporary North American evangelical worship
 The deduction of the voice: Toward a non-cognitive account of musical judgment
 
Billy's box: Material culture, musical idiom, and musicianship in Irish button accordion
 Healing the rift: Music, marriage, and therapy in Goethe's Singspiele
 
Representation and resistance: Female vocality in thirteenth-century France
 Stage(d) communities: Representations of New York, sexuality, and (auto)biography in contemporary American musical theater
 
Ethnographic videoconferencing, as applied to songs/chants/dances/games of South Indian children, and language learning
 A study of individual differences and stress among North American musicians
 
Mobilizing regionalism at Land's End: Popular electric guitar music and the Caribbeanization of the Brazilian Amazon
 From voice to text: Parisian opera and material culture, 1790--1870
 
Inscribing sound: Medieval remakings of Boethius's "De institutione musica"
 "Rock and roll never forgets": Memory, history and performance in the tribute band scene