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Performative thoughts in George Eliot's "Daniel Deronda": Theatre, gender, sympathy, and power
Theodcwidas: Compound words, language, and social context in early English literature
 
Violence, silence, and sacrifice: The mother-daughter relationship in the short fiction of Irish women writers, 1890--1980
"Opium pushing and Bible smuggling": Religion and the cultural politics of British imperialist ambition in China
 
Memorable barbarities and national myths: Ancient Greek tragedy and Irish epic in modern Irish theatre
Irish prison writing and the Victorian penitentiary
 
Mnemosyne's son: Chaucer, translation, and the creation of English textual memory
Intimate modernities: Modern British and Irish literature, 1922--1955
 
With universal applause: The exotic and eighteenth century afterpieces
Spain, politics, and the British romantic imagination
 
Writing land in Anglo-Saxon England
The sense of amending: Closure, justice, and the eighteenth-century fictional sequel
 
Distressed histories: Late modernism and everyday life, 1929-1945
"I have not a home": Catholic conversion and English identity
 
"Intelligent souls": Women, reason, and identity in England's "long" eighteenth century
Literacy and orality in eighteenth-century Irish song: Volume I
 
The psychology of wisdom in old English poetry
Alternative geographies: Uncovering the New Woman in Irish literature
 
Members of His body: Christ's Passion and community in early modern English poetry, 1595--1646
"Sende this booke ageyne hoome to Shirley": John Shirley and the circulation of manuscripts in fifteenth-century England
 
Bonds between women: Gender and economics in late-Victorian literature
Mind, body, soul, and self in the Alfredian translations
 
Fairies, fairy tales, and the development of British poetics
Lydgate's "Mesure": The "Echecs amoureux" tradition and the theme of the "Fall of Princes"
 
Marginal annotation in medieval romance manuscripts: Understanding the contemporary reception of the genre