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UNIVERSITY OF MINNESOTA
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Projecting deviance/seeing queerly: Homosexual representation and queer spectatorship in 1950s West Germany
A U-turn in the desert: Figures and motifs of the Chinese nineteen eighties
An analytical framework of parody and satire: Mel Brooks and his world
Connected isolation: Screens, mobility, and globalized media culture
Nature films and the challenge of just sustainability
Postcolonial automobility: West Africa and the road to globalization
The other Europe: Locating Albania in contemporary European discourse
NFL Films and the re-production of pro football
Modernity and ethics: The ghost of terror in French thought
The ghost and the corpse: Figuring the mind/brain complex at the turn of the twentieth century
The insolence of the Filipinas: Mothering nationalism, globalization, and literature
Spectacles in transit: Reading cinematic productions of biopower and transgender embodiment
The End of the Gold Standard: Finance, Crisis, and the Cinema of the New Left, 1967--1974
Medical Screening: Medical Imag[in]ing, the Body, and the Self
Please Stand By: Reconstruction, Decolonization and Security in British and French Public Information Films in the Postwar Era, 1945--1965
Looking to the East: Chinese Revolutionary Cinema 1949--1966
The Documentary Encounter: Memory, Materiality, and Performance in Contemporary Visual Culture