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UNIVERSITY OF MICHIGAN
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You are viewing titles for UNIVERSITY OF MICHIGAN in the Art history available through the UMI Dissertations & Thesis Gradwoorks site
A pre-history of Green Architecture: Otto Koenigsberger and Tropical Architecture, from Princely Mysore to post-colonial London
Reading culture at the threshold: Time and transition in modern Spain (1800--1990)
Improbable visions: Filipino bodies, U.S. empire, and the visual archives
How land came into the picture: Rendering history in the fourteenth-century "Jami al-Tawarikh"
Terahertz time-domain reflectometry of multilayered systems
Cultural identity and the making of modern Taiwanese painting during the Japanese colonial period (1895--1945)
(Re)presenting empire: The Roman imperial cult in Asia Minor, 31 BC--AD 68
Political expression in Song dynasty fan painting
Revolutions in parallel: The rise and fall of drawing in architectural design
The Roman honorific arches of Pisidian Antioch: Reconstruction and contextualization
Against Paraguay. 19th century Latin-American visual culture and literature during the war against Paraguay (1864-1870)
Networked collectivities: North American artists' groups, 1968--1978
Reconstructing Italy: The Ina-Casa neighborhoods of the postwar era
Mixed signals: Androgyny, identity, and iconography on the Graeco-Phoenician sealings from Tel Kedesh, Israel
Theophilus' "On Diverse Arts": The persona of the artist and the production of art in the twelfth century
Episodes in political illusion: The proliferation of war imagery in France (1804-1856)
Encountering Mimetic Realism: Sculptures by Duane Hanson, Robert Gober, and Ron Mueck
Apocalyptic progress: The politics of catastrophe in the art of John Martin, Francis Danby, and David Roberts
Building Siwilai: Transformation of Architecture and Architectural Practice in Siam during the Reign of Rama V, 1868-1910
Abstract Concrete: Experimental Poetry in Post-WWII New York City
TransStates: Conceptual Art in Eastern Europe and the Limits of Utopia
El Paular: Anatomy of a Charterhouse
Imagining the Inoperative Community: Documentary Aesthetic in Roberto Bolano and Alfreda Jaar