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You are viewing titles for UNIVERSITY OF MIAMI in the Music available through the UMI Dissertations & Thesis Gradwoorks site
Nine Venezuelan composers and a catalogue of their choral works
Existential piano teacher: The application of Jean-Paul Sartre's philosophy to piano instruction in a higher educational setting
Antonio Lauro: An analytical study and piano transcription of his Suite Venezolana and eight waltzes for solo guitar
The development of the Ostwald Award
The Afro-Cuban Abakua: Rhythmic origins to modern applications
A detailed study of selected orchestral excerpts for cello
"Terra Mirabilis": A composition for symphony orchestra in three movements
Strategies for developing a jazz and contemporary vocal ensemble sound for the traditional chamber choir
A performer's perspective on the technical challenges and interpretive aspects of Sergei Rachmaninoff's "Etudes-Tableaux" Opus 39
A study of Michael Praetorius' "Megalynodia Sionia": An historical and stylistic analysis and selective modern performing edition
Expanding the trumpet repertoire: A pedagogical exploration of four diverse works for trumpet by Bertold Hummel, James Miley, Karl Pilss, and Joseph Turrin
Heitor Villa-Lobos's Momoprecoce fantasy for piano and orchestra (1919-1929): An historical, stylistic, and interpretive study
A conductor's guide to two cantatas by Philipp Heinrich Erlebach: Ich will Wasser giessen and Christus ist mein Leben
A recital paper on the influence of jazz harmony and jazz style on selected bass trombone solo literature
Marc-Antoine Charpentier's "Messe pour Monsieur Mauroy"
A pedagogical and educational examination of "The First Month at the Piano" by Mana-Zucca
Franco Margola's chamber works with guitar: A guide and annotated catalog
The eight transcriptions of Chopin's "Black Key" Etude op 10 no 5 by Leopold Godowsky
Perspectives on choral and solo singing: Enhancing communication between choral conductors and voice teachers
A contemporary approach to orchestral bowings for the concertmaster
An equipment guide to performing Baroque horn music
Three Arias from Mozart's "Don Giovanni": A comparative analysis of performance issues and technical problems found in four complete piano-vocal scores. A vocal accompanist's perspective
Paul Desenne's Sonata for Violin Solo: A theoretical and practical study
Tuba pedagogical article compendium arranged according to the DeWitt brass model
"In Praise of Music": A motivation for choral conductors
Effects of bulimia nervosa on the voice: A guide for voice teachers
Lonely Cello: A performer's analysis of Leon Kirchner's "For Cello Solo"
A performance guide of selected works for horn and mallet percussion
The operas of Ralph Vaughan Williams: An identification and performance analysis of the arias and duet scenes for male voice
The choral music of Joseph Willcox Jenkins
Visualization in jazz improvisation
A performer's guide to concertos for trumpet and orchestra by Lowell Liebermann and John Williams
A model describing the effects of equipment, instruction and director and student attributes on wind-band intonation
The evolving role of the electric bass in jazz: History and pedagogy
York Bowen's Viola Concerto: A methodology of study
Guidelines and criteria to assess singing and music training in baccalaureate music theater programs
Development and validation of a music-based attention assessment for patients with traumatic brain injury
The role of music perception in predicting phonological awareness in five- and six-year-old children
The solo piano music of Andres Alen: An annotated bibliography and performance guide
The effectiveness of music mentoring for at-risk youth in middle school: Implementation and assessment of the GOGO program
Band music, a handbook. A comprehensive catalog of band music written since 1995
Pediatric voice: Delineating the voice science and investigating child training methods toward pedagogical application
Public performance: Free people of color fashioning identities in mid-nineteenth-century Cuba
Swedish art song: A singer's handbook to diction and repertoire
French Orientalism in Reynaldo Hahn's series "Orient" from "Le Rossignol Eperdu"
An exploration of the effects of language on the orchestral trombone sound in France, Germany, and the United States
A conductor's guide to Andre Campra's "Messe de Requiem"
The University of Miami Frost Wind Ensemble 1993--2012: Repertoire, commissions, and premieres
The creation of context-specific exercises related to advanced solo flute literature: A pedagogical approach
Formation and prediction of the singing perceptions of self-labeled singers and non-singers
A new American school of string playing - A comparison of the O'Connor Violin Method and the Suzuki Violin Method
Teaching extended techniques on the saxophone: A comparison of methods
Testing a model of jazz rhythm: Validating a microstructural swing paradigm
Concerto Blue, for classical guitar
Marcos Suzano and the amplified pandeiro: Techniques for nontraditional performance
"The Mighty Casey": A study of the performances and editions of William Schuman's one-act opera
The flute music of Franco Donatoni: A performance guide
Robert Schumann and his magic circle---Is it synesthesia or ekphrasis?
A performance guide to the multi-movement guitar sonatas of Fernando Sor and Mauro Guiliani
Reinhold Gliere's Concerto for Harp and Orchestra in E-flat Major Op.74: An analysis and performance guide
The illuminating bud: A performer's analysis of Elizabeth Maconchy's "Five Sketches for Viola"
Hawking Sonified: The composition of a Pattern/Pulse piece that illuminates the lectures of Stephen Hawking
Missa della Grande Transizione: For live processed voice and stereographic video
"Tektosyne" Three Architectures for Orchestra