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UNIVERSITY OF MASSACHUSETTS AMHERST
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Der 20. Juli 1944 auf der Buhne
Brussel - Bruxelles - Brussel: Brussels in the Flemish literary mirror from 1830 to 1932
Re-viewing the Holocaust through a new lens: Memory, language, and identity in the autobiographical texts of Cordelia Edvardson, Ruth Kluger, and Elizabeth Trahan
Der text als soundtrack-der autor als DJ: Thomas Meineckes romane im fadenkreuz von postmoderne und postkolonialismus
The abject of my affection: "Heimosexuality" in German texts and films
Der Wenderoman: Definition eines genres
Maternal drag: Identity, motherhood, and performativity in the works of Julia Franck
"Obscene fantasies": Elfriede Jelinek's generic perversions
Justifying the margins: Marginal culture, hybridity and the Polish challenge in Fontane's "Effi Briest"