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You are viewing titles for UNIVERSITY OF MARYLAND COLLEGE PARK in the Theater available through the UMI Dissertations & Thesis Gradwoorks site
 
"Over the moon": The creation and development of "Rent" by Jonathan Larson
 "What do ye allow a baboon like that on the stage for?": Protest, Irish-American identity, and the works of Harrigan, Hart, and Braham
 
Thinking, scripting, and performing: Constructing and playing the racial synecdoche in the antebellum North
 A scenic design for Carlo Gozzi's "The Green Bird", performed at the Clarice Smith Performing Arts Center at the University of Maryland
 
A costume design of Carlo Gozzi's "The Green Bird"
A tradeshow design for Nintendo of America
 
Entertaining ghosts: Gettysburg ghost tours and the performance of belief
 Murder and melodrama: The Red Barn story on stage
 
Marks of identity: The performance of tattoos among women in contemporary American society
 Lighting of "The Ashgirl" Ina & Jack Kay Theatre Clarice Smith Performing Arts Center University of Maryland
 
"Marisol" by Jose Rivera: Scenic design
 Lighting design of "Marisol" the Robert & Arlene Kogod Theatre Clarice Smith Performing Arts Center University of Maryland, College Park
 
Baltimore community theatre project: Activating neighborhoods through exposure to process of production
 The persistent Pogoni at the victory parade of 1945: Stalin's choice to costume the soviet present in the uniforms of the imperial past
 
Studio metamorphosis: A performance theater for Georgetown, Washington, D.C.
 Lighting design of "The Winter's Tale": The Ina and Jack Kay Theatre Clarice Smith Performing Arts Center, University of Maryland
 
Scenic design of "The Winter's Tale"
 That Face: A costume design
 
Opera Delaware's Family Opera Theatre, 1982--2002: Four children's operas
 The manipulation of time perception in John Adams's "Doctor Atomic"
 
"Hotel Cassiopeia": A costume design
 Transformation in Chinese Theatre Works' the Legend of White Snake
 
Costume design for enchanted April
 "Enchanted April": A lighting design the Ina and Jack Kay Theatre Clarice Smith Performing Arts Center University of Maryland--College Park
 
Lighting design of "Am I Black Enough, Yet?" The Robert and Arlene Kogod Theatre Clarice Performing Arts Center University of Maryland
 L'expression de l'absurde chez Ionesco: Du texte ecrit a la representation
 
Theatre production as experiential learning: The summer musical program at the Sitar Center for Arts Education
 A child shall lead them: The making of the Night of the Hunter A scenic design A co-production between the Department of Theatre at Georgetown University, Davis Performing Arts Center's Gonda Theatre and the Department of Theatre Dance and Performance Studies at the University of Maryland - College Park, Clarice Smith Performing Arts Center's the Robert and Arlene Kogod Theatre
 
Everything in the garden: A lighting design The Ina and Jack Kay Theatre Clarice Smith Performing Arts Center University of Maryland- College Park
 The golden chain: Royal slavery, sovereignty and servitude in early modern English literature, 1550--1688
 
SSIBAJI, an opera in two acts for 9 characters, percussion and piano
 Staging the people: Revising and reenvisioning community in the Federal Theatre Project
 
The performance culture of Burning Man
 The Tennessee Williams/New Orleans Literary Festival as a theatrical event
 
Digital Theatre: A "live" and mediated art form expanding perceptions of body, place, and community
 ION, opera in seven scenes, based on Euripides original play
 
"You can't get a man with a gun" and other life lessons: Biography in the American musical theatre
 'She will not submit to be ignored': Kate Douglas Wiggin and performing American femininity at the turn of the twentieth century
 
Sawing the air thus: American sign language translations of Shakespeare and the echoes of rhetorical gesture
 Understanding and supporting visual communication within costume design practice
 
Structure and characterization in three time periods
 Theatrical music for solo percussion
 
Opera in America: Music of, by, and for the people: A performance dissertation
 Erotic language as dramatic action in plays by Lyly and Shakespeare