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You are viewing titles for UNIVERSITY OF MARYLAND COLLEGE PARK in the Art history available through the UMI Dissertations & Thesis Gradwoorks site
 
Dada exhibitions: A survey and analysis
 Venus Imaginaria: Reflections on Alexa Wilding, her life, and her role as muse in the works of Dante Gabriel Rossetti
 
Uncoiling the "Laocoon": Revealing the statue group's significance in Augustan Rome
 "The Wrapped Reichstag" and "Memorial for the Murdered Jews of Europe": Some difficulties with contemporary monuments in post-reunification Berlin
 
Reclaiming the modern American body in the age of the machine: William H. Johnson's "Jitterbugs" and the articulation of "humanized machine aesthetics"
 "Exalted ideas of the arts": John Francis Rigaud's vision of the role of the artist in eighteenth-century England as seen in his portraits of fellow artists and in his self-portraits
 
Art and everyday
 Changing evaluations of the Four Wangs during 20th-century China
 
'A world of trouble': Joseph Wright of Derby in Bath, 1775--1777
 In the graces of his highness the Grand Duke: Caravaggio's Roman patron del Monte as a Florentine courtier and agent
 
Rineke Dijkstra and contemporary subjectivity
 Coloring the narrative: Color symbolism in seventeenth-century Dutch painting
 
Luo Qing's paintings of post-industrial Taiwan and their incompatibility with Guohua
 To be "high" and "fine": Quilts, art, and power, 1971--1991
 
"Penelope" in the press: 1913 The early critical reception of Gabriel Faure's only opera
 The arts of domestic devotion in Renaissance Italy: The case of Venice
 
"Illustrations of Taiping Prefecture" (1648): A printed album of landscapes by the seventeenth-century literati artist, Xiao Yuncong (1596--1673)
 Three American artists at midlife: Negotiating the space between amateur and professional status
 
Thomas Satterwhite Noble (1835--1907): "Reconstructed Rebel"
 Mass media is the message: Yoko Ono and John Lennon's 1969 Year of Peace
 
Illusion and disillusionment in the works of Jeff Wall and Gerhard Richter: Picturing (post)modern life
 Hoe schilder hoe wilder: Dissolute self-portraits in seventeenth-century Dutch and Flemish art
 
Nou la, we here: Remembrance and power in the arts of Haitian Vodou
 Nurturing change: Lilly Martin Spencer's images of children
 
The intersection between nationalism and religion: "The Burghers of Calais" of Auguste Rodin in the French Third Republic
 Ignacio Zuloaga and the problem of Spain
 
Performing the new face of modernism: Anti-mimetic portraiture and the American avant-garde, 1912--1927