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UNIVERSITY OF MARYLAND COLLEGE PARK
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"We seek what we find - we see what we look for": Looking for literary production in Washington, D.C., 1921--1928
Learning from the media: Perceptions of "America" from Chinese students and scholars
Current trends of dialect preservation through musical performance in the Pennsylvania German community of Southeastern Pennsylvania
Beyond racial stereotypes: Subversive subtexts in "Cabin in the Sky"
Smithsonian Folklife Festival 2007 and the presentation of cultural diversity in America
Reality for whom? Deconstructing ink and the contested "tattooed body"
Change in the relationship between print reporters and official sources after 9/11
The manipulation of time perception in John Adams's "Doctor Atomic"
"Enchanted April": A lighting design the Ina and Jack Kay Theatre Clarice Smith Performing Arts Center University of Maryland--College Park
Lighting design of "Am I Black Enough, Yet?" The Robert and Arlene Kogod Theatre Clarice Performing Arts Center University of Maryland
Threshold: Baltimore's post-industrial edge
The Issue of Mirrors
Building a Muslim-American identity: An Islamic college
Participatory music making and affinity in Washington, DC Irish sessions
The Brandstetter tunebook: shape-note dissemination and the Germans of Western Maryland
Democratic implications of civic engagement in higher education through graduates who went on to nonprofit work
Regulating passion: Sexual behavior and citizenship in Massachusetts, 1740--1820
The lineaments of personality: "Esquire" and the problem of the male consumer
Meritocracy and Americans' views on distributive justice
A story not to be told: The depiction of slavery in American novels, 1875--2000
Raising black dreams: Representations of six generations of a family's local racial-activist traditions
Three American artists at midlife: Negotiating the space between amateur and professional status
French perceptions of America: From the Roaring Twenties to the Cold War
(Re)mapping the Black Atlantic: Violence, affect, and subjectivity in contemporary Caribbean women's migration literature
Making modern homes: A history of Langston Terrace Dwellings, a New Deal housing program in Washington, D.C.
Narrating tragedy: From Kennedy to Katrina, from sports to national identities
Negotiating public landscapes: History, archaeology, and the material culture of colonial Chesapeake towns, 1680 to 1720
Nurturing change: Lilly Martin Spencer's images of children
"You can't get a man with a gun" and other life lessons: Biography in the American musical theatre
Sombreros and motorcycles: Place studies on tourism and identity in modern South Carolina
The music of Manuel M. Ponce, Julian Carrillo, and Carlos Chavez in New York, 1925--1932
Baseball, citizenship, and national identity in George W. Bush's America
History limited: The hidden politics of postwar popular histories
Amish women, business sense: Old Order women entrepreneurs in the Lancaster County, Pennsylvania, tourist marketplace
Romance, race and resistance in best-selling African American narrative
"Don't believe the hype": The polemics of Hip Hop and the poetics of resistance and resilience in black girlhood
Words to the wives: The Jewish press, immigrant women, and identity construction, 1895--1925
Aspects of American musical life as reflected in "The New Music Review and Church Music Review", 1901--1935
Second-wave feminism in the American South, 1965--1980
What is a black man without his paranoia?: Clinical depression and the politics of African American anxieties toward emotional vulnerability
White guilt: Race, gender, sexuality and emergent racisms in the contemporary United States
Beyond scraps: Narrating traumatic health experiences through scrapbooking
Historic conservation landscapes on Fort Hood, Texas: The Civilian Conservation Corps and cultural landscape change in Central Texas
Waterfronts for work and play: Mythscapes of heritage and identity in contemporary Rhode Island
From homeboy to American icon: Image transformation of Malcolm X, 1965-1999
"Get listenin' kids!": Independence as social practice in American popular music
Black benefactors and white recipients: Counternarratives of benevolence in nineteenth-century American literature
Landscapes and traditions of marathoning in the USA, 2000--2008