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UNIVERSITY OF LOUISVILLE
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Forging the visual language of horror: The graphics of the Grand Guignol
The inner game of acting
"Celtic subtleties": Brian Friel's appropriation of the O'Donnell clan
A funny thing happened on the way to my thesis
Life's rhythm in performance: "Cage Rhythm" and theatre for social change
Reaching for the horizon
A funny thing happened while "Interrogating the Nude"
To tell my story
The reciprocal relationship between acting and life beyond the footlights
The metamorphoses of the black butterfly
The art of possibility in the mirror of reality: Reflections of a black artist
Redefining the mold: Explorations in impulse and technique
The power of stories: Deconstructing the Black Buck
Lessons from the journey: Developing and applying an actor's process through embodying "Uncle Peck" in "How I Learned to Drive"
Theory, praxis and transformation: The dramatic writing of Suzan-Lori Parks as liberatory critical pedagogy
"Mad at Miles: A Black Woman's Guide to Truth" Theatre building using myths, motifs, and archetypes
"Richard III" and a comedian's eye
Acting without expectations
Developing actor expertise: The presentation and representation of man in Will Eno's "The Flu Season"
Attempting Queen Margaret through "The Actor's Equation"
Journey towards artistry