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UNIVERSITY OF COLORADO AT BOULDER
>> Comparative literature
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Performative fiction: Articulating religious identities
Des destinees de la France: Lamartine's social project and the "Meditations poetiques"
Reanimating the image: Verbal triumphs in the battle of the sister arts
The postmodern ORANUS: Carnival and abjection in Victor Pelevin's "Homo Zapiens"
The beast's wife: Sexuality, gender and the other in twentieth- and twenty-first-century versions of "Beauty and the Beast"
The schizoform: The amodern and the modern
Swinging with Adorno: A reconsideration of the jazz writings
Getting the joke: Meaning-making in film parody
Trauma, narrative and readership: An analysis of Chinese exile literature in the post-1989 era
We are the shi: A study of Cui Yin's "Attaining My Purport"
A "distant outpost": Images of the body in selected early works of Ernst Junger
Looking Back and Thinking Forward: Bildungsroman, Boarding Schools and National Identity in Dickens' "David Copperfield" and Arguedas' "Los rios profundos"
To know the tone: Analyses and experimental translations of Liˇ Duan's poetic experiments
Narrative understanding: The staging of form and theory in contemporary fiction
La traduction americaine du roman francais contemporain
Communities in performance: A comparative study between medieval France and contemporary Afghanistan
Trauma and the representation of the unsayable in late twentieth-century fiction
Pity Poor Flesh
(Un)veiling the abject: Deviance, defiance and degradation in Russian and Polish women's prose, 1890--1924
Camilla Collett: Translating women's silence in nineteenth-century Norway
Narratives of nothing in twentieth-century literature
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