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You are viewing titles for UNIVERSITY OF CALIFORNIA SAN DIEGO in the Music available through the UMI Dissertations & Thesis Gradwoorks site
 
Fractured bodies: Gesture, pleasure and politics in contemporary computer music performance
Resistance in compositional practice: Three mediatory works
 
Three pieces
Fusion peruana: Contemporary Peruvian musical hybrids
 
Pieces
Music and ideas
 
Contemporary percussion performance: An overview of aesthetics and performance practices
To un-button: Strategies in computer music performance to incorporate the body as re-mediator of electronic sound
 
A simultaneity of conflicting modes of expression
Three Pieces
 
New sound worlds for horn
Songs of subterfuge and redemption: Mozart to Crumb
 
Music performance, Williams Syndrome, and Schoenberg's String Trio
Real time vibraphone pitch and timbre classification
 
Constructing musical spaces beyond technological Eden: A participative initiative for musical interface development based in the Peruvian context
Using sparse CCA for vocabulary selection
 
Salsa's moves and salsa's grooves in Mexico City
Three Pieces
 
Bach, Ligeti, Saariaho, Pisaro: A recital
Three pieces
 
"Shima-Uta": Of windows, mirrors, and the adventures of a traveling song
Three Pieces
 
Thoughts on contemporary percussion
Labyrinths
 
Capitalism and the production of realtime: Improvised music in post-unification Berlin
Wanderings
 
The musical heritage of the classical guitar: Its development from the early fretted instruments to the end of the nineteenth century
250 Multicolored Birds Contained Within a Small Space, A Catalog of Levitating Saints, and Navarropissen
 
Erwartung und Traumverlust Aufschlag
UCSD Art Collective: Articulating Identity Through Art and Activism
 
Behaviors of impulses and instants
A Mess of Things
 
Septation: An Eye-Witness (Re)Composition of the September 11 Attacks
Generative Audio Design: Emergent Sound Art for an Open World Interface
 
Into the Silence
Three Essays on Music, Mimesis and Meaning
 
Informed Tuning Practice: A Practical Approach for Contrabassists
A phenomenological approach to contemporary music performance
 
A prototype system for remote collaborative recording
Sound art and spatial practices: Situating sound installation art since 1958
 
Voice as a technology of selfhood: Towards an analysis of racialized timbre and vocal performance
The dawning of musical aspect in process
 
Investigating percussion through television news: An analysis of the "Breaking News" program
A preliminary manual of phonetics in flute playing
 
Composing with extra-musical provocations
Design and development of a semantic music discovery engine
 
Yarn for seven instrumentalists
Modeling musical anticipation: From the time of music to the music of time
 
Phenomena and Phoenix
My life in color: Synesthesia in performance
 
A view of the western percussion art through the perspective of its notated musical repertoire
The media frame: The theory and practice of integrating a variety of production protocol in modern experimental temporal art
 
Six Etudes for Solo Violin
"Piano Album: Short Piano Pieces, 1962--1984" by Dick Higgins: A D.I.Y. kit for creative people of the non-automaton kind
 
Without reservations: Native Hip Hop and identity in the music of W.O.R.
Automatic improvisation: A study in human/machine collaboration
 
Evolutionary sound: A non-symbolic approach to creating sonic art with genetic algorithms
Melodic and chordal applications for harmonics on the double bass: A study of techniques, chords, and composition
 
Physical and perceptual aspects of percussive timbre
The musical representation of Asian characters in the musicals of Richard Rodgers
 
Double bass: Transcribed and contemporary repertoire
Sixteen sound bites
 
Tap routes: The changing role of the contemporary artist-percussionist
Ambient Power: The Joint Production of Perception and Space
 
The Rite of Spring: An Original Solo Piano Transcription of Stravinsky's 1913 Ballet with Annotations and Historical Notes
Aeriality Music for orchestra
 
Musical Pastiche, Embodiment, and Intersubjectivity: Listening in the Second Degree
Machines that Understand Music
 
"still getting rid of": Prominent compositional devices and aesthetic decisions
"...after a mountain stream rain" for six Chinese instruments and "across an ocean, across the land..." for laptop ensemble
 
Alternate Fingerings for the Flute: Paul Koonce's "Escape Tone" and the Possibilities of Notation
The Development and Conceptual Transformation of Chinese Buddhist Songs in the Twentieth Century
 
Probabilistic Topic Models for Automatic Harmonic Analysis of Music
Narratives on Narratives, From Utterance to Stories: Finding a Context for the Speaking Percussionist
 
Hearing Connections: An Actor-Network Study of Online Guitar Activities
Composition for Seven Instruments and Accompanying Essay