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UNIVERSITY OF CALIFORNIA SAN DIEGO
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You are viewing titles for UNIVERSITY OF CALIFORNIA SAN DIEGO in the Music available through the UMI Dissertations & Thesis Gradwoorks site
Fractured bodies: Gesture, pleasure and politics in contemporary computer music performance
Resistance in compositional practice: Three mediatory works
Three pieces
Fusion peruana: Contemporary Peruvian musical hybrids
Pieces
Music and ideas
Contemporary percussion performance: An overview of aesthetics and performance practices
To un-button: Strategies in computer music performance to incorporate the body as re-mediator of electronic sound
A simultaneity of conflicting modes of expression
Three Pieces
New sound worlds for horn
Songs of subterfuge and redemption: Mozart to Crumb
Music performance, Williams Syndrome, and Schoenberg's String Trio
Real time vibraphone pitch and timbre classification
Constructing musical spaces beyond technological Eden: A participative initiative for musical interface development based in the Peruvian context
Using sparse CCA for vocabulary selection
Salsa's moves and salsa's grooves in Mexico City
Three Pieces
Bach, Ligeti, Saariaho, Pisaro: A recital
Three pieces
"Shima-Uta": Of windows, mirrors, and the adventures of a traveling song
Three Pieces
Thoughts on contemporary percussion
Labyrinths
Capitalism and the production of realtime: Improvised music in post-unification Berlin
Wanderings
The musical heritage of the classical guitar: Its development from the early fretted instruments to the end of the nineteenth century
250 Multicolored Birds Contained Within a Small Space, A Catalog of Levitating Saints, and Navarropissen
Erwartung und Traumverlust Aufschlag
UCSD Art Collective: Articulating Identity Through Art and Activism
Behaviors of impulses and instants
A Mess of Things
Septation: An Eye-Witness (Re)Composition of the September 11 Attacks
Generative Audio Design: Emergent Sound Art for an Open World Interface
Into the Silence
Three Essays on Music, Mimesis and Meaning
Informed Tuning Practice: A Practical Approach for Contrabassists
A phenomenological approach to contemporary music performance
A prototype system for remote collaborative recording
Sound art and spatial practices: Situating sound installation art since 1958
Voice as a technology of selfhood: Towards an analysis of racialized timbre and vocal performance
The dawning of musical aspect in process
Investigating percussion through television news: An analysis of the "Breaking News" program
A preliminary manual of phonetics in flute playing
Composing with extra-musical provocations
Design and development of a semantic music discovery engine
Yarn for seven instrumentalists
Modeling musical anticipation: From the time of music to the music of time
Phenomena and Phoenix
My life in color: Synesthesia in performance
A view of the western percussion art through the perspective of its notated musical repertoire
The media frame: The theory and practice of integrating a variety of production protocol in modern experimental temporal art
Six Etudes for Solo Violin
"Piano Album: Short Piano Pieces, 1962--1984" by Dick Higgins: A D.I.Y. kit for creative people of the non-automaton kind
Without reservations: Native Hip Hop and identity in the music of W.O.R.
Automatic improvisation: A study in human/machine collaboration
Evolutionary sound: A non-symbolic approach to creating sonic art with genetic algorithms
Melodic and chordal applications for harmonics on the double bass: A study of techniques, chords, and composition
Physical and perceptual aspects of percussive timbre
The musical representation of Asian characters in the musicals of Richard Rodgers
Double bass: Transcribed and contemporary repertoire
Sixteen sound bites
Tap routes: The changing role of the contemporary artist-percussionist
Ambient Power: The Joint Production of Perception and Space
The Rite of Spring: An Original Solo Piano Transcription of Stravinsky's 1913 Ballet with Annotations and Historical Notes
Aeriality Music for orchestra
Musical Pastiche, Embodiment, and Intersubjectivity: Listening in the Second Degree
Machines that Understand Music
"still getting rid of": Prominent compositional devices and aesthetic decisions
"...after a mountain stream rain" for six Chinese instruments and "across an ocean, across the land..." for laptop ensemble
Alternate Fingerings for the Flute: Paul Koonce's "Escape Tone" and the Possibilities of Notation
The Development and Conceptual Transformation of Chinese Buddhist Songs in the Twentieth Century
Probabilistic Topic Models for Automatic Harmonic Analysis of Music
Narratives on Narratives, From Utterance to Stories: Finding a Context for the Speaking Percussionist
Hearing Connections: An Actor-Network Study of Online Guitar Activities
Composition for Seven Instruments and Accompanying Essay