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Alchimie rhetorique et morale: L'exemplarite dans le roman de l'age classique et des Lumieres
 The Gothic mode and the tactics of everyday life in the narrative of Carmen Laforet, Carmen Martin Gaite and Cristina Fernandez Cubas
 
Towards a cosmopolitanism of self-difference: Heinrich Heine and Madame de Stael between France and Germany
 Crossing the dark threshold: The epistemology of the cave in Calderon de la Barca's theater
 
Le desenchantement ou la possibilite du nihil
 Words and mirrors: Resistance and participation through personal narrative in Fascist Italy
 
Magnetoesthetics
 Who's afraid of anthologies?---Anthologies of twentieth-century Portuguese and Brazilian poetry in the Portuguese literary field
 
Rupture: The fear of discontinuity in seventeenth century France
 The Portuguese Alexander---Edition of the Portuguese Manuscript Translation of Quintus Curtius Rufus' "History of Alexander", with Pietro Candido Decembrio's text of the "Comparison"
 
Spanish Literary Journalism at the Turn of the Twenty-First Century: Las columnas literarias of Maruja Torres, Quim Monzo, and Manuel Rivas (1996--2004)
 Performative encounters in the French banlieue. From detournement to genre hybridization
 
Equality and Liberty in the Materialist Moral Philosophy of the French Enlightenment
 De la reduccion fenomenologica a la transfiguracion expresionista: La estetica de la alucinacion en Valle-Inclan y Roberto Arlt
 
A Feminist Sublime and Grotesque: Dorothea Schlegel, Mary Shelley, George Sand, and their Twentieth-Century Daughters
 Time, Space and Delinquent Worlds in Four Cervantine Novellas: "Rinconete y Cortadillo", "La ilustre fregona", "El Casamiento enganoso", "El coloquio de los perros"
 
Twentieth-Century Trajectories of Female Desire: From Delmira Agustini to Lucia Etxebarria
 Hearing Double: The Musical Body and the Female Voice in the Works of E.T.A. Hoffmann and George Sand
 
Novela y teatro en la Espana barroca. Cuatro dramatizaciones de novelas cervantinas
 Romantic Conscience: Conscience Formation and the Social Emotions in Jean-Jacques Rousseau, William Wordsworth, and Percy Shelley