ProQuest Subject Index - Music at UNIVERSITY OF CALIFORNIA SANTA BARBARA

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You are viewing titles for UNIVERSITY OF CALIFORNIA SANTA BARBARA in the Music available through the UMI Dissertations & Thesis Gradwoorks site

World Music and the Individual: the Negotiation of Cultural Capital and Identity Through Bossa Nova in the United States	Reproducing Regional Styles: Irish Traditional Music in Milwaukee, Wisconsin

In the wake of John Kanaka: Musical interactions between Euro-American sailors and Pacific Islanders, 1600--1900	Volume I. Interdependent contrasts, structural motives, and organicism in composition: An analysis of "Villarosa sarialdi" by Thomas Jennefelt. Volume II. Requiem: for mixed chorus, vocal soloists, and percussion

Theoretical issues and presumptions in the early music of Aaron Copland	The late piano works of Franz Liszt and their anticipation of musical ideas of the twentieth century

America singing: The mediation of identity politics in "American Idol"	A survey of Webern's life and compositional vocabulary

The Pistoia choirbooks: An introduction to the sources and repertory	One more valiant soldier here: Music, masculinity, and manhood in the black religious imaginary

Pilgrims in the Big Apple: Improvisation, interaction & inspiration in the jazz village	Flamenco guitar innovation and the circumscription of tradition

The impact of the Second Vatican Council on the concert Mass in the United States	The solo vocal music of Ernani Braga

Arjuna's angels: Girls learning gamelan music in Bali	Improvisation and the making of American literary modernism

"Of bodies chang'd to various forms, I sing": Ovid's 'Metamorphoses' in Lully/Quinault operas	Nonlinear media as interactive narrative

Elements of choral textures, voicings and sonorities in the late piano sonatas of Franz Schubert	The sonic inscription of identity: Music, race, and nostalgia in advertising

The sound of a thousand lakes: Rock music and cultural symbolism in Finland	The bimodal symphonies of Joseph Haydn (1732-1809): A repertoire of works grounded in the play of modes

Ganti andung, gabe ende (replacing laments, becoming hymns): The changing voice of grief in the pre-funeral wakes of Protestant Toba Batak (North Sumatra, Indonesia)	Individuality and distinction: The interplay between artist and audience in electronic dance music

One mind: Past, present and future George Rochberg's Sonata for Viola and Piano (1979)	String Quartet No.1

"Bridging the Gap": Frank Zappa and the Confluence of Art and Pop	Signs of Separation: Dhol in Punjabi Culture

Structural metrics: An epistemology	Aesthetic experience: An integral theory of music

Music for Spaces	Music and Culture Two Taiwanese composers: Chen Suti and Jiang Wenye

The Theory and Praxis of Makam in Classical Turkish Music 1910--2010	Turkish Classical Music, Gender Subjectivities, and the Cultural Politics of Melancholy

Circumaurality (Listening around Sound): Representing Spatial and Media Contexts in Sonic Art	Revival and Antiquation: Modernism's Musical Pasts

Franz Liszt's "Harmonies poetiques et religieuses": The inspiration derived from the poetry of Alphonse de Lamartine, with an analysis of the 1853 piano cycle	Part One: Musical form as an interaction of algorithmic and manual compositional strategies: An analysis of Curtis Roads's "Never" Part Two: A Portfolio of Compositions

Hearing Double: The Musical Body and the Female Voice in the Works of E.T.A. Hoffmann and George Sand	A Call to Sexual Arms: A Biographical Context to a Dramatic and Vocal Interpretation of the Songs of Benjamin Britten and W.H. Auden

The Study of Success in Music: Applying Methods Developed by Sports Psychology towards Achieving Peak Performance	Maurice Ravel as Miniaturist through the Lens of Japonisme

Stravinsky's Concerto for Piano and Winds (1924): Metrical Displacement, Tonal Distortion and the Composer as Performer	Part One: "Blurred Gaze" for String Quartet: An Analysis; Part Two: A Portfolio of Compositions

Part One: Toward the Transcendental Structures of Music; Part Two: A Portfolio of Compositions	"Winning the Cause"---Handel's Reply to Dryden's Arguments in "Alexander's Feast" and "A Song for St. Cecilia's Day"