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UNIVERSITY OF CALIFORNIA SANTA BARBARA
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You are viewing titles for UNIVERSITY OF CALIFORNIA SANTA BARBARA in the Art history available through the UMI Dissertations & Thesis Gradwoorks site
"Queen Catherine of Braganza as St. Catherine": Picturing Piety and Female Agency at the Restoration Court
Archetypes of the Veiled Other: Visual culture, travel literature, and the male gaze in the construction of the Spanish Morisca and the Peruvian Tapada, 1530-1900
Through the Crystal Veil: Devotional Discipline and the Ambivalence of the Material Image on the Sacro Monte di Varallo
"This Charming Symmetry of Contradictions": The Arabesque and the Emerging Bourgeois Family in Philipp Otto Runge's Fall of the Fatherland (1809)
How to Produce a Fantasy World: Henry Darger and American Hobby Culture
The Munich Kunstkammer: Art, nature, and the representation of knowledge in courtly contexts
Maya spatial biographies in communal memory and cosmic time: The Franciscan evangelical campaign of Itzmal, Yukatan
Command lines: Aesthetics and technique in interactive fiction and new media
Visual culture & the crisis of history: American documentary practice in the postmodern era
Master carpenters in Renaissance and Baroque Rome: The collaboration of artists, architects and artisans on monumental commissions in the Cinquecento and Seicento
Workbench of American taste: Richard F. Bach, industrial art, and consumerism at the Metropolitan Museum of Art, 1917--1940
Painting the "American Historical Epic": Thomas Hart Benton and race, 1919--1936
Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150
Facing boundaries: Identity and authority in South American portraiture, 1750-1824
Imagination in Media Arts: Technological Constraints and Creative Freedom
Printing and painting the news in Victorian London: "The Graphic" and social realism, 1869-1891
The Oeuvre of Gislebertus and Sculptural Practice in Saint-Lazare at Autun
Chinese Images of Body and Landscape: Visualization and Representation in the Religious Experience of Medieval China
Global and Mobile Arts Practices and Forms in Mexican Literature and Visual Art
'How Fortunate Are Those Whose Walls Already Rise!': The Roman Rebuilding of Carthage in Physical City and Constructed Memory
From Gothicism to Classicism: Transnationalism and the Early Art of Frederic Leighton
The Place of the Sublime in American Art from Thomas Cole to Robert Smithson
Beautiful Painted Lies: Deception and Illusionistic Painting in the Seventeenth Century