ProQuest Subject Index - Music at UNIVERSITY OF CALIFORNIA LOS ANGELES

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You are viewing titles for UNIVERSITY OF CALIFORNIA LOS ANGELES in the Music available through the UMI Dissertations & Thesis Gradwoorks site

Concerto for Alto Saxophone and Orchestra	Sonate pour Violon et Piano (Sonata for Violin and Piano)

"Terror in a Three Piece Suit" and "Orchis" Music scores	Dark matter: Towards an architectonics of rock, place, and identity in Brasilia's utopian underground

Beyond the "Seconda Prattica": Claudio Monteverdi and the poetics of genre after "Orfeo"	"Oh, for a thousand tongues to sing": Music and worship in African American megachurches of Los Angeles, California

A community of sentiment: Indo-Fijian music and identity discourse in Fiji and its diaspora	Experimentation and nationalism in Francisco Mignone's works for bassoon: A performance guide to the "IInd Wind Quintet" and "Concertino"

1. The construction of motion graphics scores. 2. Seven Motion Graphics Scores: "Above Snakes", "Crooked", "The Way Through Is Behind Us", "Three Rooms", "Elemental Canon", "OneZero", and "On"	Keyboard portraits: Performing character in the eighteenth century

The age of anxiety: Music, politics, and McCarthyism, 1948--1954	Performing the past: Sea music in the Arab Gulf states

Improvisation, identity and tradition: Experimental music communities in Los Angeles	"Just another one of God's gifts": Prince, African-American masculinity, and the sonic legacy of the eighties

Rachmaninoff and Russian pianism: Performance issues in the Piano Concerto in C minor, Opus 18	"Bodies that tell": Physiognomy, criminology, race and gender in late nineteenth- and early twentieth-century Italian literature and opera

Becoming Baba: A performance guide to Menotti's "The Medium"	Music that moves: Television music, industrial travel, and consumer agency in contemporary media culture

Rachmaninoff the composer-pianist: Aspects of pianism in his Piano Concerto No. 3 in D minor	Volume I. Reconciliation: A study of words and music in Schoenberg's "Pierrot Lunaire," Stravinsky's "Symphony of Psalms" and "Requiem Canticles," and Britten's "War Requiem." Volume II. Eo-meo-ni (Mother) [[open o]-m[open o]-ni] for medium voice and string orchestra

Music by contemporary Portuguese composers: A study of extended clarinet techniques in selected clarinet works	The virtuous virtuosa: Women at the pianoforte in England, 1780--1820

Bossa mundo: Brazilian popular music's global transformations (1938-2008)	Crossover and spectacle in American operetta and the megamusical

The Kazakh qyl-qobyz: Biography of an instrument, story of a nation	Centering the margins: Black music and American culture, 1980--2000

Volume I. The persistent fantasy: Extended single-movement form in twentieth-century composition. Volume II. Convivencia, A Fantasy for Guitar and String Quartet	An analysis and discussion of conducting performance practices in Steven Stucky's elaboration of Henry Purcell's "Funeral Music for Queen Mary" (1992)

Sites of remembrance: Music and memory in Polish film	Invisible virtuosi: The deskilling and reskilling of Hollywood film and television studio musicians

Volume I. The use of quotation in Sonata for Viola and Piano and Symphony No. 15 as examples of late style in Shostakovich. Volume II. Requiem	Are those congas in the pulpit? Hymns, alabanza y adoracion (praise and worship) music, and the evangelical subculture of western Cuba

A better Bartok---dilemmas and solutions in performing Bartok's Viola Concerto	Performance practice issues in Franz Schubert's Fantasy in C major ("Wanderer Fantasy"), D. 760

Volume I. The integration of cultures within the modern American string quartet. Volume II. Through Darkness	The secret (musical) lives of Hollywood film composers: An examination of representative clarinet concert works of Bernard Herrmann, Miklos Rozsa, Don Davis, Paul Chihara, and Bruce Broughton

Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains	From Opfer to Gangsta: The evolving linguistic representations of Turkish-Germans in the media

Doing time: The work of music in Louisiana prisons	Permission to play: Obstacles and open spaces in music-making

Johannes Brahms, "A German Requiem", Opus 45 Performance Considerations of the Lara Hoggard English Edition	Urtiin Duu: The Mongolian Long Song in Mongolia and China

Cross-ethnic Traffic: Performing Ethnicity in Asian/America	The Methodology of Transcription: Creating and Performing the Accompaniment of Joseph Hayden's Concerto in E-flat for Trumpet and Orchestra on Organ

Music of a Thousand Years: A New History of Persian Musical Traditions	Facing HIV / AIDS Stigmatization in South Africa Through Language and Music

Music Tourism in New Orleans and Bali: A Comparative Study of Cultural Tourism Development	Swashbucklers on Stage: Musical Depictions of Pirates and Bandits in English Theater, 1650--1820

Volume I: Dalcroze and the 21st Century Composer Volume II: The Wanderer: A Rock Opera Based on the Life and Music of Franz Schubert	Through the Looking Glass: Child-Inspired Keyboard Albums of the French fin de siecle

Music and Art: A Discussion of Performance Practice Issues in Satoshi Yagisawa's "La Promenade, la femme a l'ombrelle---An Artwork of Claude Monet"	Bringing Theatricality to the Choral Arts: The Choral Conductor as Director and Acting Teacher

Identity and the Ottoman Empire: A Musical Synthesis at the Crossroads of East and West	An Ode to Joy: Chilean Culture in the Eighties against Pinochet

The "Chacarera Imaginary": "Santiaguenan" Folk Music and Folk Musicians in Argentina	Saudades de Itapuaa: Music, Black Identity, and Community in Salvador, Bahia, Brazil

Rockin' Intermediality: Rock Music and the Reanimation of Media Culture	Volume I Thematic and Structural Coherence in Mahler's Ninth Symphony Volume II Symphony No. 2 (American Pastoral)

Mistuning the World: A cultural History of Tuning and Temperament in the Seventeenth Century	From Fiesta to Festival: Mariachi Music in California and the Southwestern United States

Echoes of the Guillotine: Berlioz and the French Fantastic	Volume I: Into the Depths: A Critical Study of Low-Frequency Orchestral Extensions Volume II: "Event Horizon" For Sub-Contrabass Ensemble

Spanish-Language Radio Shock: Spanish-Language Radio Music Programming In The Soundscape of Los Angeles, a Dynamic Sign of the City's Life and Times	Motion Study of Violin Bow Technique: A Study Comparing the Motor Patterns of Professional and Student Violinists

Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich	Mahler's "Kindertotenlieder": "Nineteenth Century Vienna Meets Seattle" A Modern Arrangement For The Double Bass

A New Song: Emerging Sephardic Music in Serbia	Performing Practice for Roberto Pena's "Concierto para Flauta y Orquesta": Discovering Mexico's Contemporary Classical Flute Music

A Matter of Taste: Duos for Violin and Viola by Joseph Haydn, Michael Haydn, and Wolfgang Amadeus Mozart	"Music Draws Blood": A Monodrama of East and West

Madonna's Confession: Sound, Self, and Survival in a Love Song	An Orchestral Transcription of Johannes Brahms's Sonata for Violin and Piano No. 3 in D Minor, op. 108 with an Analysis of Performance Considerations

An Emotive Mechanism: Phonographic Wonders and Possibilities at the Turn of the 20th Century	Enemy Music: Blind Birifor Xylophonists of Northwest Ghana

Staging Death: Allegory in the operas of Erwin Schulhoff and Viktor Ullmann	Space, Place, and Music in New Orleans

Sound Objects: Speculative Perspectives	Notational and performance issues in Andre Boucourechliev's String Quartet "Miroir 2 Cinq pieces pour quatuor a cordes" (1989)

Volume I Character, Symbol, and Multi-Dimensional Narrative in Three Twentieth-Century Oratorios Volume II Mirror For America	Clementi's "Didone abbandonata" Piano Sonata Op. 50, No. 3

Youth Orchestra Los Angeles (YOLA): Creating Access to Excellent Music Education for Underrepresented Students of Color	Music Circulation and Transmission in Tbilisi, Georgia

Doing the Time Warp: Queer Temporalities and Musical Theater	Rock Bands/Rock Brands: Mediation and Musical Performance in Post-liberalization Bangalore

New World Songs for Catholic Saints: Domestic Performances of Devotion and History in Bahia, Brazil	In Search of a Style: French Violin Performance from Franck to Ravel

Performance Practice Guide for Paul Chihara's Concerto for Saxophone and Orchestra	"Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins