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UNIVERSITY OF CALIFORNIA DAVIS
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Compositional style and process in Rodgers and Hammerstein's "Carousel"
"Perpetual Motion" For Full Orchestra With Reduced Score For Flute, Cello, and Percussion
Stasis in the development sections of two sonata forms by Brahms, and, After Joyce: A sextet for fl/picc, cl/bcl, perc, pno, vln, vc
"Singing from the heart": Memorization and improvisation in an eighteenth-century utopian community
Another 'representation of chaos'? Dualism and circularity in the opening section of Schoenberg's String Trio Op. 45
Music as a memorial space: An analysis of John Adams's "On the Transmigration of Souls" and "Over the Sojourners": A cantata based on Psalm 146
Slip-sync: In/authenticity and performance in the punk musical film cycle, 1978--1986
She is the voice, she is the sound: Women's voices in electroacoustic music, and, "And There Was a Great Calm"
Resonances of sound, text, and image in the music of Mario Lavista
Temporal friction in Conlon Nancarrow's Study No. 36 for Player Piano
Analysis of Isang Yun's "Reak fur Orchester" (1966)
Hyphy Intellect: The Formation of Bay Area Hip Hop Identities in the Realm of Commercial Culture
Chempa, Showinpa, Mefpa, Asumpa, Achepa (To Paint, To Scratch, To Dance, To Flow, To Unite): The Native American Experience in the Hip Hop World
Missions and Transmissions: Music and the Spanish Missions of Alta California from 1769
(Re)Locating Flamenco: Bohemian Cosmopolitanism in Northern California
Disdain for Dance, Disdain for France: Choreophobia in German Musical Modernism
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