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UNIVERSITY OF CALIFORNIA DAVIS
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In the name of the body: Identity, subjectivity, and the global nation in He Chengyao's performance art
Ruptures in truth: The photography of Thomas Eakins and the pictorialist vision
Consumer labor: Thomas Hirschhorn and the dialectic of Utopia
Signifying the other, signifying itself: The apophatic art criticism of Pavel Florensky and Clement Greenberg
Reinventing the gaze: Judith Lowry's artistic expressions contextualized
Multivalence in cults and images of Aphrodite from five selected Greek city-states
Frederic Church's Olana as the manifestation of a changing personal and professional identity
John Sloan's Challenge to Modes of Spectatorship in "The Cot": A Portrayal of an Ordinary Moment
Paul Morrissey's "Flesh": Seeing through the Mirror of Warhol's America
The Twenty-First Century Tiller Girls: Natalie Bookchin's "Mass Ornament"
Concrete Knowledge: Innovative Curriculum and Vanguard Architecture At Los Medanos College, Pittsburg, CA, 1968--1974
A Proposal for the Retention of Historically Removed Artifacts Currently Held in Western Museums
Andrea Fraser and the Affects of Crisis
A Parallel Space, A Common Space: Rethinking Sovereignty Through the Work of Alban Muja
Paul Delaroche's The Execution of Lady Jane Grey: Re-Staging History
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