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'MESSAGE: John 3:16' for brass quintet, timpani, and choir (Original composition)
'We work hard at entertainment': Performance and professionalism in the popular music scenes of Salvador da Bahia, Brazil
 
Composing instruments: Inventing and performing with generative computer-based instruments
Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture (Austria)
 
Donizetti and Naples in the 1830s (Italy, Gaetano Donizetti)
Engineering music: A critical inquiry into Giambattista Aleotti's 'De la musica' (Italy)
 
Gendered dance modes in Malang, East Java: Music, movement and the production of local senses of identity
Gesture, melody, and the paramparic body in Hindustani vocal music
 
Kwaito bodies in African diaspora space: The politics of popular music in post-apartheid South Africa
Liquid Interface, for orchestra & electronica
 
Messiaen's mimesis: The language and culture of the bird styles (Olivier Messiaen, France)
Music, movement and space: A study of the madang and p'an in Korean expressive folk culture
 
Nostalgic identities: Song, narrative, and the 'Moor' in early modern Spanish literature
On site in sound: The political geographies of globalized Peruvian music
 
Rausch des Vergessens (Original composition)
Rituals of a lost faith: Britten and the culture of postwar reconstruction (Benjamin Britten, England)
 
Salt
Sound synthesis from shape-changing geometric models
 
The absolute limits: Debussy, Satie, and the culture of French modernism, ca. 1860--1920
The heritage of Campaspe: Oral tradition and Giulio Caccini's 'Le nuove musiche' (1602) (Italy)
 
The incest ballad of 'Delgadina': Oral tradition from medieval Spain to Latin America (Mexico, Cuba)
The music of skepticism: Intentionality, materiality, forms of life including 'Anaphora', for 14 solo strings, harp and piano (with Original composition)
 
Trilogy for Chamber Ensemble (Original composition)
 
 
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