ProQuest Subject Index - Music at THE UNIVERSITY OF TEXAS AT AUSTIN

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You are viewing titles for THE UNIVERSITY OF TEXAS AT AUSTIN in the Music available through the UMI Dissertations & Thesis Gradwoorks site

Tradition and innovation in the Twenty-Four Preludes, Opus 11 of Alexander Scriabin	The concept of fantasie in two versions of the "Carmen Fantasie": Sarasate and Waxman

The "new Hungarian art music" of Bela Bartok and its relation to certain Fibonacci series and Golden Section structures	Dynamics of ritual and ceremony at the Metropolitan Cathedral of Mexico, 1700--1750

An aggregate of styles: Donald Martino's "Fantasies and Impromptus"	Music, publics, and protest: The cultivation of democratic nationalism in post-9/11 America

The historical and musical correlation of "The Southern Harmony and Musical Companion" with Donald Grantham's "Southern Harmony"	A comparative study of the Eschig Editions and the '1928 Manuscript' of Heitor Villa-Lobos's Twelve Etudes for Guitar

The expansion of cello technique: Thumb position in the eighteenth century	An examination of 1920s Parisian polytonality: Milhaud's ballet "La Creation du monde"

Tome: A chamber opera in one act	Popular entertainment and constructions of Southern identity: How burlesques, medicine shows, and musical theatre made meaning and money in the South, 1854--1980

Effects of early and late rest intervals on performance and consolidation of a keyboard sequence	Richard Wagner's concepts of history

Procedural memory consolidation in musicians	Tone production on the piano: The research of Otto Rudolph Ortmann

Music as sinthome: Joy riding with Lacan, Lynch, and Beethoven beyond postmodernism	The alfabeto song in print, 1610--ca.1665: Neapolitan roots, Roman codification, and "il gusto popolare"

La musica nacional: Changing perceptions of the Ecuadorian national identity in the aftermath of the rural migration of the 1970s and the international migration of the late 1990s	Fishermen, farmers, and fiestas: Continuity in ritual of traditional villages on the northwest coast of Peru

Five Preludes Opus 74 by Alexander Scriabin: The Mystic Chord as basis for new means of harmonic progression	Scattered Needles

Manuel de Falla's "Cuatro Piezas Espanolas": Combinations and transformations of the Spanish folk modes	Effects of practice variability and distribution of practice on musicians' performance of a procedural skill

Prophecies	American folk music revivalism, 1965--2005

"Trails by a River" for large orchestra and electronic sounds (MAX/MSP)	An acoustic comparison of voice use in solo and choral singing in undergraduate and graduate student singers

Beethoven through Liszt: Myth, performance, edition	Performing nationalism: Mariachi, media and transformation of a tradition (1920--1942)

Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini	Echoing their lives: Teaching Russian language and culture through the music of Vladimir S. Vysotsky

Characteristics of music education programs in public schools of Jamaica	Holiday in Reality: A suite for jazz chamber ensemble in five movements

Operas by women in twentieth century America	A collection of etudes targeting altissimo passages in alto saxophone solo literature

Movements in Chicano music: Performing culture, performing politics, 1965--1979	A comparative study on the published completions of the unfinished movements in Franz Schubert's Sonata in C Major, D. 840 ("Reliquie")

Fundamental rhythmic characteristics of improvised straight-ahead jazz	Human-based percussion and self-similarity detection in electroacoustic music

Descriptions of improvisational thinking by artist-level jazz musicians	August Halm's "Von zwei Kulturen der Musik": A translation and introductory essay

Symbols of transformation: Reconceptualizing the boundaries of organicism in the music of Bela Bartok	Aerial Acrobatics

Able fairy: The feminine aesthetic in the compositions of Rolande Falcinelli	"Finding a voice" in the American classical guitar vernacular: The work of Andrew York, Benjamin Verdery, Bryan Johanson, and David Leisner

Incline, O Maiden...	The geography of Hindustani music: The influence of region and regionalism on the North Indian classical tradition

Symphony Number 1 for Concert Band	An examination of the integration of serial procedures and folkloric elements in the music of Roberto Gerhard (1896--1970)

Wide open studio spaces: Analyzing the spatial codes of recorded late- and post-countercultural pastoral music	Remembering Mahler: Music and memory in Mahler's early symphonies

In memoriam Octavia Butler for chorus, orchestra and speaker	Casting spells, casting ballots: Magic, affect, noise and music in political campaigns

Historical memory and Gyorgy Ligeti's sound-mass music 1958-1968	Music and tourism in Cusco, Peru: Culture as a resource

The effects of score study on novices' conducting and rehearsal behaviors	Olivier Messiaen's "Vingt Regards sur l'enfant-Jesus": Analytical, religious, and literary considerations

Songs of Dusk and Renewal	Beyond "Saul": A survey and analysis of Egil Hovland's mature choral works

Sound faith: Nostalgia, global spirituality, and the making of the Fes Festival of World Sacred Music	The musical culture of La Concezione: Devotion, politics and elitism in post-Tridentine Florence

David Guion's vision for a musical Americana	The Use of Functional Piano Skills by Selected Professional Musicians and Its Implications for Group Piano Curricula

Drumming Asian America: Performing Race, Gender, and Sexuality in North American Taiko	Disciplining the Popular: New Institutions for Argentine Music Education as Cultural Systems

The Gradual of St. Yrieix in Eleventh-Century Aquitaine	The role of the epigastrium in breath management for singers

The Musical Mode: Rock and Hollywood Cinema