ProQuest Subject Index - Film studies at THE UNIVERSITY OF TEXAS AT AUSTIN

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You are viewing titles for THE UNIVERSITY OF TEXAS AT AUSTIN in the Film studies available through the UMI Dissertations & Thesis Gradwoorks site

"Kush mir in tokhes!": Humor and Hollywood in Holocaust films of the 1990s	Textualizing the future: Godard, Rochefort, Beckett and dystopian discourse

Media reception, sexual identity, and public space	Music as sinthome: Joy riding with Lacan, Lynch, and Beethoven beyond postmodernism

Artistic voice: Psychological dimensions of film artistry	American ruins: Nostalgia, amnesia, and Blitzkrieg bop

The afterlife of DEFA in post-unification Germany: Characteristics, traditions and cultural legacy	Writing and filming the painting: Ekphrasis in literature and film

Identity, place, and subversion in contemporary Mizrahi cinema in Israel	The myth of Camila O'Gorman in the works of Juana Manuela Gorriti, Maria Luisa Bemberg, and Enrique Molina

Convergent Hollywood, DVD, and the transformation of the home entertainment industries	Diamond-shaped American Dreams: Race and national identity in contemporary baseball films

Transmedia brand licensing prior to conglomeration: George Trendle and the Lone Ranger and Green Hornet brands, 1933--1966	Corporate fictions: Film adaptation and authorship in the Classical Hollywood Era

Crisis of representation: Experimental documentary in postwar Lebanon	Patriarchs, pugilists, and peacemakers: Interrogating masculinity in Irish film

"Batman", Time Warner, and franchise filmmaking in the conglomerate era	The past as rhetorical resource for resistance: Enabling and constraining memories of the black freedom struggle in "Eyes on the Prize"

Disrupting boundaries of desire: Gender, sexuality, and globalization in Tsai Ming-liang's cinema of the oppressed	Script-to-screen: Film editing and collaborative authorship during the Hollywood Renaissance

Once upon a time in South Central Los Angeles: Race, gender and narrative in John Singleton's hood trilogy	DEFA and East European Cinemas: Co-Productions, Transnational Exchange and Artistic Collaborations

Crafting Digital Cinema: Cinematographers in Contemporary Hollywood	Consumers' perceptions of the ethics and acceptability of product placement in movies: African Americans and Anglo Americans

The Musical Mode: Rock and Hollywood Cinema	West African Representations of World War II: Rewriting Thiaroye