ProQuest Subject Index - Music at THE UNIVERSITY OF NORTH CAROLINA AT GREENSBORO

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You are viewing titles for THE UNIVERSITY OF NORTH CAROLINA AT GREENSBORO in the Music available through the UMI Dissertations & Thesis Gradwoorks site

A voice profile of the adolescent speaker and singer	Tracing a certain slant of light: Forming a personal philosophy and voice in music composition

He Cried Uncle: An opera in one act	Luigi Dallapiccola's first twelve-tone work: An analytical study of compositional techniques in "Cinque Frammenti di Saffo"

It takes a village to raise an Andy: A low-fi portrait	Polymeter in twentieth-century music: A study in notational methods

Cool kids never have the time: The music of the Smashing Pumpkins and youth of the 1990s	Custom controllers and physical models as enablers of communal performance in "Two Fragments on Water and Light"

Composing music more accessible to the hearing-impaired	Muslim punk rock in the United States: A social history of The Taqwacores

Interval serialization and its use in "Exploring the Third Major Nebula"	Representin': The rise of the hip-hop generation

Requiem	Good vs. evil: The role of the soundtrack in developing a dichotomy in "Harry Potter and the Sorcerer's Stone"

Sermon Hymns	Live manipulation of documentary audio in a narrative electroacoustic concert piece

An examination of rhythmic practices and influences in the keyboard works of Gyorgy Ligeti	Bipolarity

Listening between the notes: Personality, listening context, and aesthetic chills in everyday music listening	Universal Density: A musical representation of astronomical objects and concepts

The emancipation of consonance: A pedagogical approach to distinguishing between consonance and harmonic stability	The choral music of Francis Grier

Sergei Lyapunov's Preludes for Solo Piano, Op. 6: An analysis for performance	Voice classification and Fach: Recent, historical and conflicting systems of voice categorization

A performance edition of "Thirty Instructive and Melodic Exercises for French Horn" by Vincenz Ranieri	The contributions of Tommy Pederson (1920--1998) to trombone performance and literature in the twentieth century: A lecture recital and document

Mental representations in clarinet performance: Connections between auditory imagery and motor behaviors	Three Eichendorff Lieder of Hans Pfitzner: A study of musical and poetic affinity

Applied anatomy in the studio: Body Mapping and clarinet pedagogy	The effect of race and racial perception on adjudicators' ratings of choral performances attributed to racially homogeneous and racially heterogeneous groups

Joseph Milford Nicholson (b. 1935): Pioneer trombone historian	Essential excerpts for tuba from original works written for wind ensemble

A performer's guide to the saxophone music of Sherwood Shaffer	A transcription of Vivaldi's Violin Concerto RV 208 for cello

Relationships among parental influences, selected demographic factors, adolescent self-concept as a future music educator, and the decision to major in music education	Southern women, Southern voices: Civil War songs by Southern women

Ronald Roseman: A biographical description and study of his teaching methodology	The neurosciences and music education: An online database of brain imaging neuromusical research

Conducting her destiny: The making of a maestra	Common ground: Promoting communication and fostering trust among Israeli Arabs and Jews through music

Edmund Hooper: A study of his style compared to Orlando Gibbons and prevailing Tudor polyphony	Ten orchestral excerpts for piccolo: An historical and stylistic analysis

Sight-singing instruction in the undergraduate choral ensembles of colleges and universities in the Southern Division of the American Choral Directors Association: Teacher preparation, pedagogical practices and assessed results	Hungarian gypsy style in the Lisztian spirit: Georges Cziffra's two transcriptions of Brahms' Fifth Hungarian Dance

W. W. Cobbett's phantasy: A legacy of chamber music in the British Musical Renaissance	The effect of focal task-specific embouchure dystonia upon brass musicians: A literature review and case study

Joe Henderson: An analysis of harmony in selected compositions and improvisations	Norman Herzberg: An icon of bassoon pedagogy

An amalgam of Chilean folk and art music: "12 Tonadas de caracter popular chileno" by Pedro Humberto Allende	Eric Ewazen's Concerto for Marimba, orchestrated for chamber ensemble: A performance edition

David R. Gillingham's Concerto No. 2 for Marimba: A transcription for marimba and chamber ensemble	Costa Rican composer Benjamin Gutierrez and his piano works

"Holy Sonnets: La Corona" of Louise Talma: Selected elements of texture, technique, and text	Stroke velocity in two-mallet marimba performance

Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of "The Magnificat"	1959 jazz: A historical study and critical analysis of jazz and its artists and recordings in 1959

A descriptive study of middle school teachers' current perspectives on and teaching practices for integrating music in public school curricula	Balancing chorus and orchestra in performance: Problems and solutions for conductors of the nineteenth century and today

Fragments: A psychoanalytic reading of the character Mignon on her journey through nineteenth century Lieder	Pre-service teaching experiences during the University of North Carolina at Greensboro Summer Music Camp

A singer's point of reference: Baseline vocal measurements during study at a university	A synthesis of modern and Brazilian elements: An investigation of Variantes e Toccata opus 15a by Marlos Nobre

A brief analysis of Martin Amlin's keyboard works: A personal case study in informing performance	Beyond Third Stream: Henry Martin's Preludes and Fugues for solo piano

Causes, effects, and solutions to performance-related anxiety: Suggestions for the teaching of brass players	Shielding a musician: A case study on the effectiveness of acoustic shields in live ensemble rehearsals

Chaos in music: Historical developments and applications to music theory and composition	Musical accompaniments in the preparation of marimba concerti: A survey of selective interactive music software programs

Orchestral color in Richard Strauss's Lieder: Enhancing performance choices of all of Strauss's Lieder through a study of his orchestrated Lieder	Becoming a redwood: A genealogy of expression in Dana Gioia's poetry and Lori Laitman's song cycle

Enumerating indeterminacy	The Lister-Sink method: A holistic approach to injury-preventive piano technique

An analysis of factors contributing to sixth-grade students' selective attention to music elements: Melodic contour, timbre, rhythm, and tempo; and variables associated with demographics, self-perception, music background, music genre, and temporal difference	Eduard Toldra: An exploration of the language, text, and music in the "Sis Sonets" for violin and piano, accompanied by a transcription of the work for the viola

A descriptive analysis of Arthur Bird's Suite in D	A comparative study of Brenda Uelands autobiography "Me (Brenda Ueland)" to the song cycle "Me (Brenda Ueland)" by Libby Larsen

Music in honor of the Virgin Mary during the Middle Ages and Renaissance	Baroque solo and homogeneous ensemble trombone repertoire: A lecture-recital supporting and demonstrating performance at a pitch standard derived from primary sources and extant instruments

Cabaret: A historical and musical perspective of a struggling era	Leo Kraft's three fantasies for flute and piano: A performer's analysis

Developmental and stylistic consistency in selected choral works of Felicia Donceanu (B. 1931)	The evolution of lyricism in modest Musorgsky's compositional style as evidenced in songs and dances of death

The hymn tunes of Lowell Mason: A performance edition of five settings for brass quintet	The Kreul oboe: History of a family business

William Henry Squire's out-of-print works for cello and piano: Analysis and suggestions for teachers	The elements of neoclassical style in the women's choir compositions of Irving Fine

The multi-cello ensemble writing of Laszlo Varga: A study of his arrangements for multi-cello ensemble of the Adagio con Variazione for Cello and Orchestra by Ottorino Respighi	The Turkish clarinet: Its history, an exemplification of its practice by Serkan Cagri, and a single case study

A descriptive analysis of the psychological needs of adults participating in music ensembles: A survey of the New Horizon International Music Association ensemble participants	Igor Stravinsky's "L'Histoire du Soldat" trio for clarinet, violin, and piano: A critical edition

Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's "Quatour de Saxophones"	Ernest Bloch's musical style from 1910 to 1929 a shift from Judaic identity to modern identity

Concertino for trumpet by Emil Petrovics (1930--2011): A transcription for brass ensemble	Expressive use of form, melody and harmony in Fanny Hensel's settings of lyric poetry by Johann Wolfgang von Goethe: A study of selected lieder

Ophelia as archetype: Jake Heggie's "Songs and Sonnets to Ophelia"	"Le gai paris" and "Concerto pour trombone" by Jean Francaix; an analysis and discussion of two works for solo instrument with wind ensemble accompaniment

Terzetto No. 9 in D Minor by Johann Daniel Grimm: In performance edition with analysis	Tonal and formal blurring in Faure's Piano Trio Op. 120

Pianist and composer Robert Casadesus: "Huit Etudes," Opus 28 and Toccata, Opus 40	The pedagogy of becoming: Identity formation through the Baltimore Symphony Orchestra's OrchKids and Venezuela's El Sistema

Isang Yun's musical bilingualism: Serial technique and Korean elements in "Funf Stucke Fur Klavier" (1958) and his later piano works	Cross-cultural synthesis in Chen Qigang's piano composition "Instants d'un Opera de Pekin"

Creating the Southern voice in American opera composition	A performance edition of five works by William Grant Still (1895--1978): Brass quintet arrangements of "Memphis Man", "Bayou Home", "Mississippi", "Elegy", and "All That I Am"

Joseph Willcox Jenkins: Male chorus arrangements of Stephen Collins Foster melodies	Luciano Berio's "Sequenza VII": Temporal multiplicity and alternative conceptions of form

The Hammered Dulcimer in the Southern Appalachian Old Time String Band Music of North Carolina, Southwest Virginia, and West Virginia