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THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL
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Authentic Chameleons: Mythic identity, performative trickster-ing, and the potential of the telephone booth moment
The semantics of in chiϱ h&d12; in Aeschylus
Parody as criticism: The literary life of Eulalia Meinau
Haunting stories of abuse: Revealing ghosts through critical performance ethnography
Sacrifice and ritual imagery in Menander, Plautus, and Terence
Subverting the filmic I/eye: A cinematic look at marginalized perspectives and alternative sexualities in Sabina Berman's El bigote
Unforgettable cruelties: Influence of Antonin Artaud's theater of cruelty on Abla Farhoud's "Jeux de patience" and Wajdi Mouawad's "Incendies"
Speed, time, and space in the futurist synthetic theater
Guerrillas in the Urban Jungle: Marketing plans for the Broadway Musicals, "In the Heights" and "Shrek the Musical"
Finding "The Lost Colony" (1937): Paul Green, symphonic drama, and the history of a collaboration
English commoners and communities on the early modern stage
Reflexiones sobre el poder en Luis Riaza, Francisco Nieva y Jose Luis Alonso de Santos
Relaciones de genero y poder en cuatro obras del teatro mexicano contemporaneo (1980--2000)
The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996
Theater music in France, 1864--1914
El teatro de Alfonsina Storni: Feminismo e innovacion (Alfonsina Storni's theater: Feminism and innovation)
The theater of piety: Sacred operas for the Barberini family (Rome, 1632--1643)
Truth, falsehood, and reciprocity in Pindar and Aeschylus
Global co-incidence: Heterotopic performance at the Areopagos
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