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Narrating the German loss: Small histories and the historiography of Fascist violence
 Proceso de individuacion y memoria traumatica en "El mismo mar de todos los veranos" de Esther Tusquets y "La Rambla paralela" de Fernando Vallejo
 
Dangerous women: Roxane and the Marquise de Merteuil in Montesquieu's "Les Lettres Persanes" and Laclos' "Les Liasons Dangereuses"
 La terra madre: An Italian American reading of Carlo Levi's "Cristo si e fermato a Eboli"
 
Colonial and postcolonial perspectives on racism: "Ourika" and "Moi, Tituba, sorciere...Noire de Salem"
 The presence and function of Russia in the fiction of Jose Manuel Prieto
 
Allegory or parody? Interpretation of the "Libro de buen amor"'s "troba cazurra" lyric and reader-response and reception theory
 Recovering memory in Jordi Soler's "Los rojos de ultramar"
 
Movies framing memories: Mass culture, film theory, and transnational identity in Alberto Fuguet's Las peliculas de mi vida
 Delusional thought in Luigi Pirandello's "Sei personaggi in cerca d'autore"
 
Death at first sight: The duality of love in Thibaut de Champagne and Ibn Quzman
 Religious parody and the economy of significance in "Decameron" Day Five
 
Antonio Colinas: The re-writing of "Sepulcro en Tarquinia" in "Larga carta a Francesca"
 The globalized other: Patterns of globalization and exclusion in "Histoire de la femme cannibale" by Maryse Conde and "Le Ventre de l'Atlantique" by Fatou Diome
 
Unforgettable cruelties: Influence of Antonin Artaud's theater of cruelty on Abla Farhoud's "Jeux de patience" and Wajdi Mouawad's "Incendies"
 To hell with Christ!---The gospel, according to Lazarillo: Parodia sacra & picaresque signifying on the novel as genre
 
Speed, time, and space in the futurist synthetic theater
 Horacio Quiroga: Narrating the limit of death in nature
 
Rivalry and desire: Male-male relations in Ovid's "Amores" and French feminist theory
 Transcending the ages of men: Rodrigo as the male exemplar of the of the "Mocedades de Rodrigo"
 
The image of women in graphic and narrative representations
 La cuestion de honor en las dos versiones de "El alcalde de Zalamea"
 
Female lead characters as examples of Bildungsroman heroines in "L'Amour, la fantasia" by Assia Djebar and "Les Yeux baisses" by Tahar Ben Jelloun
 Rabelais, pantagruelion & utopia
 
Desjardins' "Le Favori" and Moliere's "Tartuffe": Dissimulators and dupes
 Cultural memory and national representation: The Franco-Prussian War in French and German literature, 1871--1900
 
Conceptions of the function of the author in seventeenth-century French epistolary literature: The cases of the Comte de Guilleragues and Mme de Villedieu
 Illusion, violence, and certainty in Jean Rotrou's "Le Veritable Saint Genest" and Cyrano de Bergerac's "La Mort d'Agrippine"
 
Aldo Moro's rebirth in Marco Bellocchio's "Buongiorno, notte"
 Correspondence as resistance: The epistolary genre in Dulce Chacon's narrative
 
Rewriting historical neorealism in Matteo Garrone's "Gomorra"
Reasonable persuasion: Speech in Garcia de la Huerta's "Raquel"
 
Tristan the Sacristan in Cervantes' Los banos de Argel: A Cervantine Gracioso?
 Supernatural persuasion and Luis de Molina's theology in three of Tirso de Molina's works: "El burlador de sevilla" (1630), "El condenado por desconfiado" (1635) and "Quien no cae no se levanata" (1636)
 
Deux poles de l'image litteraire au XXe siecle: La poesie plastique de Pierre Reverdy et le mythe dans les romans de Michel Tournier
 Re-thinking the language of pain in the works of Marguerite Duras and Frida Kahlo
 
The arenga in the literature of medieval Spain
Loss, death, procreation and writing in the metafictive narrative of Rosa Montero
 
Textual games, intertextual readings: Ludic dimensions in story and style in the works of Jean-Philippe Toussaint
 De la douleur a l'ivresse: Visions of war and resistance
 
Reflexiones sobre el poder en Luis Riaza, Francisco Nieva y Jose Luis Alonso de Santos
 Negative visions: The referential authority of photography in contemporary literary fiction
 
Articulations of anarchist modernism: Putting art to work
 Jules Verne's textual mapping: Plotting geography
 
The representation of objects in the New New Novel
 Da lei, tutto: Female relationships in the narratives of Matilde Serao
 
Celestial crusades and wars in heaven: The biblical epics of the late 1500s
 The rewriting of history: The female body, voice and gaze in theater written by women between 1986 and 1996
 
Disguise, deceit, and character development in Cervantes's prose
 Poetic anthologies of fifteenth-century France and their relationship to collections of the French secular polyphonic chanson
 
El teatro de Alfonsina Storni: Feminismo e innovacion (Alfonsina Storni's theater: Feminism and innovation)
 Myth, the marvelous, the exotic, and the hero in the "Roman d'Alexandre"
 
Jose Lopez Pinillos and the early Spanish social theater: The theme of caciquismo in "El pantano", "Esclavitud," and "La tierra"
 Reading Sapphic modernism: Belle epoque poesie and poetic prose
 
When worlds collide: Hetertopias in fantasy for young adult readers in France and Britain
 Modes of Domination and Relations of Power: A Bourdieusian Analysis of Rafael Sanchez Ferlosio's El Jarama, Armando Lopez Salinas's "La mina" and Juan Garcia Hortelano's "Tormenta de verano"
 
Diego Lopez de Ayala and the intellectual contours of sixteenth-century Toledo
 The picturesque in Giovanni Verga's Sicilian collections
 
Beyond Camps: The Mythologem of the Orphan-Child in the Italian Neorealist Experience of the 1940s
 String of decaying ruins: A transnational Italian American experience
 
The Economy and Parody of Matrimony in Boccaccio's "Decameron"