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You are viewing titles for THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL in the Film studies available through the UMI Dissertations & Thesis Gradwoorks site
 
Re-reading "Film About A Woman Who...": A study of filmic identification in the context of Roland Barthes's notions
 Flights of memory: Narrating the past in wings of desire
 
Bersani avec Kubrick
 Nice white teacher: The role of racial representations in popular culture and teacher education
 
Becoming the wig: Mis/identifications and citationality in queer rock musicals
 Aldo Moro's rebirth in Marco Bellocchio's "Buongiorno, notte"
 
Rewriting historical neorealism in Matteo Garrone's "Gomorra"
Dancing dreams: Performing American identities in postwar Hollywood musicals, 1944--1958
 
The endless pursuit of truth: Subalternity and marginalization in post-Neorealist Italian film
 Negotiating the nation after May '68: Narratives of America and France in French film, 1968--1972
 
Composing for the Red screen: Sergei Prokofiev's film music
 Capturing life: Zoological gardens and the emergence of cinema
 
The devil's church: Conservative protestantism and the movies, 1915--1955
 Brazilian docudrama: "City of God", "Carandiru" and "Elite Squad"
 
Rescripting Stalinist masculinity: Contesting the male ideal in Soviet film and society, 1953--1968
 No future: The realist impulse in dystopian fictions in Britain, 1973--1987
 
Pop culture and pedagogy: Taking up school documentaries in teacher education
 Beyond Camps: The Mythologem of the Orphan-Child in the Italian Neorealist Experience of the 1940s
 
Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008
 Blood runs: The circulation of Argentine horror cinema in Argentina and the United States