ProQuest Subject Index - Art history at THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL

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You are viewing titles for THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL in the Art history available through the UMI Dissertations & Thesis Gradwoorks site

Eagle imagery in Jewish relief sculpture of late ancient Palestine: Survey and interpretation	Differing aesthetics: Multiplicity and Jacques-Louis David's "Paris and Helen"

Saints, Saracens, and the Reconquest: Re-imagining martyrdom in the Antependium of Durro	Re-reading "Film About A Woman Who...": A study of filmic identification in the context of Roland Barthes's notions

Mis-taken identities: The photographic conceptualization of identity in Nikki S. Lee's "Projects" (1997--2001)	Narrating the German loss: Small histories and the historiography of Fascist violence

Imagining Roman-ness: A study of the theater reliefs at Sabratha	Self-reference in Caravaggio's "Calling of St. Matthew"

Taken in water: The photograph as memorial image in Sally Mann's "Deep South"	Making history: The constructions of Johann Zoffany's Colonel Antoine Polier, Claud Martin and John Wombwell with the Artist (1786--1787)

The Ackland Sophia: Contextualizing, interpreting, and "containing" wisdom	The notion of home and the diasporic subject: Memory and forgetting in Allan deSouza's "The Lost Pictures" series

Edvard Munch's "To the Forest": Nature as medium and metaphor	The glory of Rome: Depictions of architecture on the Column of Trajan

"Dream the rest": On the mystery and vernacular modernism of Felipe Jesus Consalvos, Cubamerican "cigarmaker, creator, healer, & man"	Spheres, gender, and science in early modern France: The astronomy lesson of the Duchess du Maine

The in-between: Photography, the city, and Bouna Medoune Seye's "Joe's Yard"	The "Keystone Tour of the World 400 Series:" Stereographic images of Africa and American self-representation

A fountain bewitched: Gender, sin, and propaganda in the Massa Marittima mural	'Marking' exodus: Death and funerals in the religious paintings of Clementine Hunter

The Milan Diptych: A sixth-century gospel book cover in the political landscape of Ravenna	No likeness, no pay: The market for portraiture in North Carolina, 1790--1840

The Wienhausen Grabeschristus: Exploring 15th century Cloister worship	Devotions and dynasty: Votive reliefs and the Pergamon Altar's "Telephos Frieze"

Xugu: Archaic forms and captured moments	Virgin Comics' Devi: Creating a new Goddess

An invitation to the exotic: Ephemeral art in Joseph Gilliers's "Le Cannameliste francais"	He, being dead, yet speaketh: Images and invocations of Lincoln's ghost, 1865--1877

Transforming the bride: Gauri Puja in early twentieth-century Mithila painting	The power of decor: Kehinde Wiley's interventions into the construction of black masculine identity

The juxtaposition of styles in the metopes of the Athenian Treasury	Resistance coded in comics: Visual literacy in South Africa

Interpreting the assemblages of Lonnie Holley through his performative explanations	Streams of Living Water: The Strigil Motif on Late Antique Sarcophagi Reused in Medieval Southern France

Re-Casting Difference: Charles Cordier's Ethnographic Sculptures	Reconsidering "Swimming": Thomas Eakins and the changing landscapes of modernity in late nineteenth-century Philadelphia

The Rinceau Design, the Minor Arts and the St. Louis Psalter	Transparent Opacities: The West Building of the North Carolina Museum of Art

Turquerie in nineteenth-century America	Nationalism in an International Movement: Polish Art Nouveau, 1890-1910

Deux poles de l'image litteraire au XXe siecle: La poesie plastique de Pierre Reverdy et le mythe dans les romans de Michel Tournier	Re-thinking the language of pain in the works of Marguerite Duras and Frida Kahlo

Pyre: A poetics of fire and childhood in the art of Henry Darger	Demons, druids and brigands on Irish high crosses: Rethinking the images identified as "The Temptation of Saint Anthony"

Photography's courtly desires: Jacques Lacan, Roland Barthes, and the photographic beloved	Sensing Watteau: The artist's musical images as preludes to the age of sensibility

Defining the boundaries of self and other in the Girona Beatus of 975	Between friends: Representations of female sociability in French genre painting and portraiture, 1770--1830

Conceptualizing African-American art: The market, academic discourse, and public reception	Cultural constructions: Depictions of architecture in Roman state reliefs

Art, illusion, and social mobility in eighteenth-century France: Hyacinthe Rigaud and the making of the Marquis de Gueidan