ProQuest Subject Index - Music at THE UNIVERSITY OF IOWA

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You are viewing titles for THE UNIVERSITY OF IOWA in the Music available through the UMI Dissertations & Thesis Gradwoorks site

The dance movements of Christian Flor in Luneburg Musica antica practica 1198	Johann Michael Vogl's alterations to Schubert's "Die Schone Mullerin"

"Organ grinder's swing": Representations of street music in New York City, 1850-1937	Musical time and information theory entropy

Representations of African-American life in Alexander Zemlinsky's "Sinfonische Gesange", Op. 20	The Seven Seas

Julius Eastman's 1980 residency at Northwestern University	Usurper

Intimations	Music for flute and piano and a script for violinist

Duality and process in "The greatest legend of American music": A comparative study of realizations and completions of Charles Ives's "Universe Symphony" by Larry Austin, David Porter, and Johnny Reinhard	Chamber Concerto

Functions of dialogue underscoring in American feature film	Romanus Pinzger O.S.B. (1714--1755): A performing edition of "Missae Breves I, II, and VI"

Black, white and blue: Racial politics of blues music in the 1960s	The original compositions and arrangements of Paul Lavalle in the Band of America archive at the University of Wyoming American Heritage Center

Australian sonatas for alto saxophone and piano: New editions and performance guides for three works by major Australian composers	Intrinsic laryngeal muscle activity and vocal fold adduction patterns in female vocal registers: Chest, chestmix, and headmix

The history of instrumental wind music within the Royal Canadian Mounted Police band	Salzburg W.B. XIV: Historical context, liturgical signifigance and critical edition

Jean-Baptiste Davaux and his symphonies concertantes	"Jungjo the Great" for solo voices, mixed chorus and orchestra

Peter Philips at the court of Albert and Isabella in early seventeenth-century Brussels: An examination of the small-scale motets, including an edition of "Deliciae sacrae" (1616)	A creative pedagogical approach to Hindemith's music for horn and piano with thirty progressive etudes

Elasticity in three compositions with flute by Boris Blacher	Presage

Some Distance Away	Ecce Signum

Opera, jazz, and Hollywood's conversion to sound	Turning sound into music: Attitudes of spectralism

The dynamics of physical force in the modeling of tonal melodic motion	Looking for a way out: The politics and places of alternative country music

The clarinet works of Gustav Adolph Heinze	The saxophone music of Juan Orrego-Salas: A biography and performer's guide for four works

The life and career of Himie Voxman	Erosion

Normal Mode for chamber ensemble and electronics	James Houlik: Life of a tenor saxophone specialist

Approaching the classical style: A resource for jazz saxophonists	David Fanshawe's African Sanctus: One work for one world ∼ through one music

Oboe reed-making pedagogy in the United States: A survey	Training singers to be literate musicians: The integration of musical, linguistic, and technical skills in the private voice studio

Renderings	Inclusive music education in the Republic of Korea: Policies and adaptive instruction for general educators of primary school students with disabilities

Creative thinking in elementary general music: A survey of teachers' perceptions and practices	A scholarly edition of Ignazio Donati's "Salmi Boscarecci"

A historical overview of Carlos Seixas's works for solo keyboard and a performance guide based on analytical observations including pedagogical annotations and analysis of four of his keyboard pieces	Figures of sympathy in eighteenth-century opera comique

Mixed chamber music for trombone: An exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtag	Women in percussion: The emergence of women as professional percussionists in the United States, 1930--present

In Violent Silence	Stylistic development in the choral music of Rebecca Clarke

Application of principles from motor-learning theory to the studio voice lesson: Effects of feedback frequency on retention of classical singing technique	The new American song: A catalog of published songs by 25 living American composers

Libby Larsen's Concerto for Trumpet and Orchestra: An overview and reduction of the orchestral score for trumpet and piano	Lucien Capet: Comparisons and connections to contemporary violin bowing technique

The Revival of a Waning Moon	Set in Motion

The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: A performance guide	Music therapy support groups for cancer patients and caregivers

Facilitation of the learning and memorization processes of harmonically challenging piano works: "Metopes", op. 29 by Karol Szymanowski	Wilhelm Bernhard Molique's Concerto for Violoncello, op. 45: A historical and practical study

Dancing the habanera beats (in country music): Empire rollover and postcolonial creolizations in St. Lucia	Key symbolism in Francesco Cavalli's arias

State classical solo contest repertoire lists: An exploratory study and comprehensive list of recommended intermediate alto saxophone compositions	Darius Milhaud's La creation du monde: The conductor's guide to performance

"Peopled with invisible presences": Oxford and the Tudor revival, ca. 1890--1939	A piece of the exotic: Virtuosic violin compositions and national identity

The overture to George Frederick Bristow's "Rip Van Winkle": A critical edition	Crossover narratives: Intersections of race, genre and authenticity in unpopular popular music

Mirage of the Mountains	The sound that sells: The musical and improvisatory practices of the American auctioneer

New Orleans brass band traditions and popular music: Elements of style in the music of Mama Digdown's Brass Band and Youngblood Brass Band	Developing musicianship from the podium: Adapting the Theory of Multiple Intelligences to the instrumental rehearsal

Historical performance practice in cadenzas for Mozart's Concerto for Bassoon, K. 191 (186e)	Art songs for tenor: A pedagogical analysis of art songs for the tenor voice

The legacy of Jozsef Gat on piano performance and pedagogy	The tarab trombone: Trombone etudes and solos based on Arabic music

Post-apartheid South African choral music: An analysis of integrated musical styles with specific examples by contemporary South African composers	Nicolai Medtner's Piano Concerto No. 3, Op. 60: Musical style and performance strategies

Bands at the University of Iowa from 1880 to 2008: The development, directors, repertoire, and the 1966 historic tour of Europe and the Soviet Union	A performance guide to two "Fairy Tales" of Nickolai Medtner

Training the communicative recitalist: Exercises inspired by Sanford Meisner's repetition exercise