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THE UNIVERSITY OF CHICAGO
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You are viewing titles for THE UNIVERSITY OF CHICAGO in the Art history available through the UMI Dissertations & Thesis Gradwoorks site
"Between distant realities": The Japanese avant-garde, Surrealism, and the colonies, 1924--1943
On the lips of others: Fame and the transformation of Moctezuma's image
Mission impossible? Zacheta National Gallery of Art at the end of the 20th century
Chinese modern: Sun Yat-sen's mausoleum as a crucible for defining modern Chinese architecture
Contemporary Slovene art and artifice
Narrating sanctity: The narrative icon in Byzantium and Italy
Putti, pleasure, and pedagogy in sixteenth-century Italian prints and decorative arts
Figures en buste in medieval China: Three studies
Embodied abstraction: Biomorphic fantasy and empathy aesthetics in the work of Hermann Obrist, August Endell, and their followers
Inventing "documentary" in American photography, 1930--1945
Masks and puppets: Metamorphosis and depersonalization in European avant-garde art criticism, 1915--1939
Surfaces of sand and stone: Unearthing the origins of modern Korean painting in the archaeological remains of the past
Nothing to look at: Art as situation and its neuropsychological implications
Mutable authority: Reimagining King Solomon in medieval Psalm illustration
Picture a life: The photo-texts of Wright Morris
The shehnamecis of Sultan Suleyman: `Arif and Eflatun and their dynastic project
Never alone, except for now: Mediated collectivity in networks
Domestic arts: Amelia Pelaez and the Cuban vanguard, 1935--1945
Arts of engagement: Art and social movements in Japan's early postwar
Rebellious conformists: Exhibiting avant-garde art in Mexico City and Buenos Aires, 1920-1929
Self-styling: Practicing creativity and remaking aesthetics in post-socialist China
Picturing the Yangzi River in Southern Song China (1127--1279)
Quest for the true visage: Sacred images in medieval Chinese Buddhist art and the concept of zhen