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You are viewing titles for TEACHERS COLLEGE COLUMBIA UNIVERSITY in the Music education available through the UMI Dissertations & Thesis Gradwoorks site
 
A collective case study of self-regulated learning in instrumental practice of college music majors
Musical successes and challenges: The impacts of a keyboard lab program on public schools, music teachers, and students
 
Singing sacred songs in public schools: Perspectives of primary school students
Recalling Giuseppe De Luca (1876--1950)---a narrative journey told out of his teacher-student relationship with Charles Guild Reading (b. 1921)
 
Cultivating the imaginative ear for jazz improvisation: A study in three settings
A comparative survey of goals and strategies of college music performance teachers across instrumental groups
 
The construction of instrumental music teacher identity
Popular music and gender in the classroom
 
Envy among students in music school
Perspectives of opera singer training and education through an examination of collegiate-level opera programs
 
Musicing appreciation: The conception, design, and implementation of a mu-si-c course
The creation of a new online academic journal in music performance
 
Janos Starker: An organized method of cello teaching
A curricular design for post-secondary music appreciation based on the functions of music in society
 
Constructivism and band: New approaches for instrumental music
Mentoring music educators in gospel music pedagogy in the classroom
 
Developing a pedagogy for gospel singing: Understanding the cultural aesthetics and performance components of a vocal performance in gospel music
Critical voice and social justice in the urban music classroom
 
The vocal jazz ensemble: Systemic interactions in the creation of three university programs
Pedagogy of music: Contemporary music in the applied flute studio
 
Paving their own way: Experiences of female high school band directors
Fostering citizenship and democracy through chamber music coaching
 
Teaching undergraduate class piano: A study of perspectives from self, students, and colleagues
Perspectives of non-string specialists in the field of string orchestra education: A case study of Suffolk County, Long Island
 
Creating in the collective: Dialogue, collaboration, and the search for understanding in the jazz small group
The Rage to Master: Case Studies of Early Learning Experiences of Highly Gifted and Prodigious Young Musicians
 
Online communication as a mode of professional development among student teachers in music education
An investigation of flow experience in middle school beginner string orchestra students
 
Developing expertise in professional American orchestra conductors
A survey of the use of traditional, jazz, and popular styles in secondary school orchestras
 
An exploratory study of criterion referenced self-assessment in the applied vocal practice room
Practice makes personal: A study of the formative experiences of jazz pianists
 
Finding the balance: Jan Kagarice, a case study of a master trombone teacher
The making of an opera coach
 
An exploratory study of the role of music history courses in the conservatory curriculum
Perceptions of adolescent female singers on their singing and training
 
Digitally Processed Music Creation (DPMC): Music composition approach utilizing music technology
"Phases of learning" and flow experience as instructional strategies for beginning students of college class piano
 
Stereotypes of HBCU collegiate choir members towards concert spiritual enthusiasts
Ordinary Magic: The musical foundations of transition in family life
 
Forging musical paths: The experiences of multistyle string players in American undergraduate programs
The collaborative rehearsal: Blogging as a reflective paradigm for band
 
Something to think about the rest of one's days: Music in a liberal arts education
The past, present, and future of jazz education: Toward alternatives in jazz pedagogy
 
A study of singers' perspectives on musicianship and pedagogical approaches in training
Transmission of Araquio music, songs, and movement conventions: Learning, experience and meaning in devotional theatre
 
A new association for Canadian jazz education