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Collaboration, movement, projection: The interdisciplinary structure of Lucinda Childs's "Dance", 1979
 Graffiti Research Lab: Bridging the canonical and the criminal
 
Perversion and "the other" as social criticism: Peter Saul's Vietnam
 Visual negotiations of revolt
 
Moerenuma Park as Noguchi's Utopian Universe--the Park as a Reflection of Ideal Sculptural Space of Isamu Noguchi
 Caupolican: Shaping the Image of National Identity in Chilean Public Art
 
"Modern History": Newspapers, Photography, Pictures
Zen Buddhism and Mid-Century American Art
 
The Clown Paintings of Jack Butler Yeats
 When is Ketchup just Ketchup?: Toward a Sociological Reading of Paul McCarthy's Early Video Art
 
Curating Cultures: An Empirical Inquiry
 The Complexity of Domestic Interiors: Laurie Simmons's Depiction of Women's Identity in the Home
 
Sculpture of Nowhere: The Problem of Nothing in the work of Fred Sandback
 Reforming Bruegel: Between the Margins of Morality and the Confines of Comedy
 
The Irreversible Line: Adornian Contribution and Communication Through the Influence of Arabic Calligraphy in the Video Works of Mona Hatoum and Kutlugˇ Ataman
 Philosophy and Satire Back to Back: On Edouard Manet's "Philosopher With Oysters" and other "beggar-philosophers"
 
Aoristic avant-garde: Experimental art in 1960s and 1970s Yugoslavia
 Commodity and abjection: A psycho-social investigation of pop culture imagery in the artwork of Paul McCarthy
 
Grounding the social aesthetics of Abstract Expressionism: A new intellectual history of The Club
 Tactical response: Art in an age of terror
 
Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985
 Contemporary Manhattan Cartographies: Ephemeral Public Projects in New York