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You are viewing titles for STATE UNIVERSITY OF NEW YORK AT BUFFALO in the Film studies available through the UMI Dissertations & Thesis Gradwoorks site
 
La cara oculta: The role of the media in Cuba. Is it education, entertainment or a weapon of a revolution?
Cancer stories: Media influence within cancer experiences
 
Schizophrenia shot by shot: A life challenge and the making of "Volga Volga"
Bridging the gap: Writing, reading, and critiquing digital poetry
 
Camera memori: Towards a reflective spatial vision
A myth made flesh: Representing female-to-male transsexual desire in visual and textual print
 
Hypermediated spaces: Cinema art as a mapping process
Special Frontier Force---unveiling the secrets
 
Films from the margins: Women, desire and the documentary film in India
Petrified unrest: Theory as praxis
 
Captivating a country with her curves: Examining the importance of Carmen Miranda's iconography in creating national identities
Roots, rocks and (seder) rolls: A self study of documentary practice
 
Korean independent film & Japanese colonialism
Horror translation: From Nakata Hideo's Ringu to Gore Verbinski's The Ring
 
Todd Haynes: The public, the private, and the performative
"Mosuo Song Journey": A cross-cultural documentary fieldwork experience in Yunnan, China
 
Marking the indistinct: Indexing photographic time
Krump or die: Representations of krumping in contemporary film and the processes of assimilation, racism, narration, and commodification
 
Talking points: Ousmane Sembene's "Mandabi" and "Xala"
Depiction patterns of young African-American women in contemporary American animation
 
Documenting ethnic cleansing in North America: Creating unseen tears
"You're a vampire... Was that an offensive term? Should I say 'undead American'?"* The evolution of the vampire in popular culture
 
The effects of establishing trust between the documentary filmmaker and the subject of the Maysles films
A case for ...fine art ...community service ...documentary video
 
Mediating Conversation: The Filmmaker at Work
The Intersection of Documentary and Fiction in Laurent Cantet's "The Class," Samira Makhmalbaf's "The Apple," and James Marsh's "Man On Wire"
 
Separating the Cinemas and Bringing Them Back Together
The delay of an establishing shot in narrative film openings
 
Strange matter & liquid landscapes -- the cinema of phenomena
Framing America: Graduate students reading power, identity and American education through Hollywood movies
 
Becoming American in Sam Shepard's West and Asian American West
From emigration to immigration: A transpacific reading of Korean and Korean American literature and film
 
Badiou/Deleuze: Art and cinema
Queer comedy: Laughter and stigma; fear and rebellion in modern and contemporary drama
 
"A zoo of lusts...a harem of fondled hatreds": Interrogating sexual violence against women in film, 1915--2003
Surveying the damage: Political aesthetics of violence after Abu Ghraib