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"A zoo of lusts...a harem of fondled hatreds": Interrogating sexual violence against women in film, 1915--2003
"Reality, woven in fictions": Making the world by remaking stories, mythology as metanarrative in Ezra Pound's "Canto II," John Gardner's "Grendel" and Anne Carson's "Autobiography of Red"
 
'He that is not with us is against us'. Apocalypticism and millennialism in American literature and culture: 1630--1860 (James Fenimore Cooper, Nathaniel Hawthorne)
A myth made flesh: Representing female-to-male transsexual desire in visual and textual print
 
Art and community in postmodern American fiction (1955--2001) (William Gaddis, Thomas Pynchon, Maxine Hong Kingston, Don DeLillo)
Corpses and cogitos and the sympathetic self: Exhuming sovereignty and its sympathetic subjects
 
From artificial art to dissolute beauty: The Renaissance in George Eliot and Walter Pater
From emigration to immigration: A transpacific reading of Korean and Korean American literature and film
 
History and utopia: Central European Jewish thought in the works of Joseph Roth and Gyorgy Konrad (Austria, Hungary)
Horror translation: From Nakata Hideo's Ringu to Gore Verbinski's The Ring
 
Landscape as poem: Poem as landscape. Space, place, and the visual in the poetry of Kamau Brathwaite and Susan Howe
Man and the world in Emerson, Heidegger, and Native American philosophy
 
Phenomenal surfaces and noumenal depths: Philosophy and quantum theory
Poet(h)ics of life: Gilles Deleuze and the thought of becoming
 
Queer breeds: Hybridity and futurity in Lillian Hellman, James Baldwin, and Gloria Anzaldua
Re-membering otherwise: Zoe Wicomb's "You Can't Get Lost in Cape Town" and "David's Story"
 
Sidewalks of desire: Paradoxes of the postmodern flaneur in contemporary queer fiction
Sonic territories: Deleuze and the politics of sound in Kafka and Duras
 
Temporal alternatives: Postcoloniality and the politics of the event
The "Appearing as Such" in Patocka's "A-subjective Phenomenology"
 
The Benjaminian concept of the aura and dialectical images: Mariko Mori's digital montages and a historical modernity
The convocation of Marjane Satrapi: Ecriture, image, history
 
The engines of history: The automobile in American and Italian literary cultures, 1908--1943
The first form of criticism that refuses to judge
 
The limit of failure: Perversion in psychoanalysis and temporality in ethical philosophy
The postcolonial Gothic: Haunting and historicity in the literature after empire
 
The underside of politics: Postmodernism, political mythology and the Cold War
Thinking through sexual difference: Toni Morrison's love trilogy
 
Towards an aesthetics of impotence: Proust, James, Woolf, Duras
Tyranny in Jacobean Roman tragedies (1603--1611)
 
Voices of technology: Tentative (w)holes
Walter Benjamin and Witold Gombrowicz: Allegory's immanent domain
 
Written on water: The poetics of Anglo-American exchange
 
 
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