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You are viewing titles for STATE UNIVERSITY OF NEW YORK AT BUFFALO in the subject Art history available through the UMI Dissertations & Thesis Gradworks site.
 
"Upward on wings": Frank Lloyd Wright's Guggenheim as the disruption of the museum space
'And with the courage of a fiery lion': Spartan ideology and Lakonian kylikes of the sixth century B.C
 
A documentation of Bronze Age ritual vessels from the Shang Dynasty of China within the collection of the Buffalo Museum of Science, Buffalo, New York
A post-modern deconstruction of H. H. Richardson's architectural design for the Buffalo Mental Asylum
 
Access to the archives? Art museum websites and online archives in the public domain
Aegean seals and oral literacy in Bronze Age Greece
 
Ambient media: Meanings and implications
Ancient authority in Umayyad traditions
 
Artifact displays: The contextualization of ancient Greek artifacts within the museum setting
Bernini's theology: Two monuments to early modern Catholicism
 
Body politics of the Asian American woman: From Orientalist stereotype to the hybrid body of Yong Soon Min
Branding contemporary art museums in the United States
 
Changing spaces: Spatial destruction & the sculpture of Richard Serra
Complex hybridities: Challenging constructs of race and culture in the museum
 
Context / recontext
Cream of the crop, simple surveys, or tourist traps? Biennials' past, present, and potential
 
Crossing the border with divine assistance: Ex-voto paintings of Mexican immigrants to the United States
Experiments in immediacy: Performance in the age of digital video
 
From artificial art to dissolute beauty: The Renaissance in George Eliot and Walter Pater
Harvey Breverman: Rendezvous with history and literature in the aftermath of Holocaust
 
Islamic ideology and ritual: Architectural and spatial manifestations
John Sloan and the transitory nature of modernity
 
Korean independent film & Japanese colonialism
Letterpress printing in the postmodern era: Poetry, media and typography
 
Merzbau passageways
Performance documents: Marina Abramovic's "Seven Easy Pieces" and the photographic documentation of performance art
 
Performing feminism: American performance art as a feminist deconstructive strategy
Pure internationalism: Martha Jackson, Paul Jenkins, and the internationalization of the art market in the mid-twentieth century
 
Reclaiming the ruins: Examining the repurcussions of Chinese urbanization through the works of Zhang Dali, Xing Danwen, and Zhan Wang
Reviewing the reviews: Interpreting the negative response to the blockbuster exhibition, "Surrealism: Desire Unbound"
 
Sublime responsibilities: Form as ethic
Subversive body in performance art
 
Tension and modernity: Expressions of cultural anxiety in images of Weimar femininity
The Benjaminian concept of the aura and dialectical images: Mariko Mori's digital montages and a historical modernity
 
The Buffalo Central Terminal as a beacon for the community: Speculation on the Central Terminal and its future
The Raquette River quilters: A case study of cultural biases and contemporary quiltmaking production from a feminist perspective
 
The consciousness of the Taiwanese identity and museums in Taiwan
The history of photographic education in Rochester, New York, 1960--1980
 
The idealism of Katsushika Hokusai's landscape art
The process of image processing at the Experimental Television Center
 
The representation of maidservants in the work of Berthe Morisot
The socio-economic reorganization of settlements in eastern Crete during the late Minoan period
 
Translating the colonial: The South Asian American identity of Annu Palakunnathu Matthew
Upping the anti in Claude Cahun and Marcel Moore's collaborative "self-portraits"
 
Ut hortus poesis: Combining rhetoric and science, body and mind, in creating and contemplating the Renaissance garden
 
 
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