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You are viewing titles for STATE UNIVERSITY OF NEW YORK AT BINGHAMTON in the British and Irish literature available through the UMI Dissertations & Thesis Gradwoorks site
 
Private vs. public conscience: The contradiction between George Eliot's atheism and her use of traditional Christianity in her fiction
Defoe's fictions of memory
 
Descent or dissent: Patriarchy and genre in Adichie and Achebe
"I made him know his name should be Friday": Naming and sexuality in "Robinson Crusoe" and "Foe"
 
Ethics and imagination: The possibility of an immanent materialist ethics in Phillip Pullman's "His Dark Materials"
The Protestant spirit of utility's connection to republican virtue: Engaging the transatlantic origins of the American Enlightenment
 
State of the union: Cross cultural marriages in nineteenth century literature and society
Androgynous imagination in Romantic and Modernist literature: From William Blake and Elizabeth Barrett Browning to D. H. Lawrence and H.D.
 
Renunciation and resistance: Confessions of the alcoholic and addicted experience in the 19th and 20th centuries
Returning thirds: On reading literature
 
Carnal reading: Early modern language and bodies
Stories without end: A reexamination of Victorian suspense
 
Reading children: Constructions of childhood in England's nineteenth-century children's periodicals, 1855--1875
The technological narrative of biological evolution
 
If it's good enough for Shakespeare: The Bard and the American musical
The politics and poetics of space in contemporary British literature and film: Remapping Englishness and transnational identities on the margins
 
Fairy tales, modernisms and grotesqueries: The art of Virginia Woolf, Djuna Barnes and Ingeborg Bachmann
For-giving: The economy of the revenant
 
The female Bildungsroman in the age of empire
Aesthetics and modern poetry: Mood, musicality, and imagery in the poems of Dickinson, Hopkins, Trakl, and Christine Lavant
 
The key to the garden of Eden, or, the way to Apocalypse