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You are viewing titles for SOUTHERN ILLINOIS UNIVERSITY AT CARBONDALE in the Theater available through the UMI Dissertations & Thesis Gradwoorks site
 
"The Taming of the Shrew": A journey of discovery
 Midnight Medford: A case study of dramatic television direction, from live to film
 
Annealing fear: Designing costumes for "The Crucible"
The scenic design for "Noises Off"
 
Lighting design for "The Crucible"
 "The Highwayman": Redefining the hero's journey
 
Lighting design for "Copernicus Rising"
 Making choices: Creating the scenic design for Michael Rose's play, "Copernicus Rising"
 
Copernicus Rising
 A new Virgilian heroine: Berlioz's treatment of Cassandra in the grand opera "Les Troyens"
 
The artist in modern drama: The origin and development of "Masterpiece"
 Verse Chorus Verse
 
Directing "Biloxi Blues": Getting involved in the fight
 Martin McDonagh's "The Lieutenant of Inishmore": Nostalgia, mythology, terrorist violence, and the impossibility of a national literature
 
Unmasking the intersection of sacred and self: The scenic design for "Death and the King's Horseman"
 Budget flight: The costume design for "The Fastest Woman Alive"
 
The worlds behind the worlds: Directing Shakespeare's "A Midsummer Night's Dream"
 Working Week
 
Managing the magic: Technical direction of "The Secret Garden"
 The technical direction of "Lysistrata"
 
Visual storytelling: The lighting design of "A Raisin in the Sun"
 I'm not taking off my pants or the battle of the sexes: Directing Aristophanes' "Lysistrata"
 
Laced in: The costume design for Intimate Apparel
 The yellow scare: Developing "Bananapocalypse" from page to stage
 
Everywhere You Look
 Re-envisioning a genre: Creating new musical theatre methodologies with "Crazy For You"
 
Community [theatre] & self: An (auto) ethnographic journey through a case study of The Stage Company
 Dandelion salad and lemonade: The lighting design for "Crazy For You"
 
A portrait of four in glass: The costume design for "The Glass Menagerie"
 Shakespeare's clown-servants: From late feudal to proto-capitalist economies in early modern England
 
Archiving Anna Baright Curry: Performances of evidence and evidentiary performances
 Towards a queer theatre: Four plays
 
Performing posthuman: Constructing, inhabiting, and evaluating techno/corporeal networks
 Black Eyez: Memoirs of a Revolutionary
 
Pencils of light: Family, photography, and performance
 Food and performance in the prison system
 
Ghostly faces and liminal spaces: Landscape, gender, and identity in the plays of Marina Carr
 Eco-theatre and new media: Devising toward transnational balance