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You are viewing titles for SOUTHERN ILLINOIS UNIVERSITY AT CARBONDALE in the American literature available through the UMI Dissertations & Thesis Gradwoorks site
 
Decoding the body: Meaningful corpulence in "A Confederacy of Dunces"
"Eyes you could feel not see": The female gaze in the works of William Faulkner
 
"The Highwayman": Redefining the hero's journey
This Morning, Without You
 
Home homo on the range: Male intimacy and the figure of cowboy in Owen Wister and Charles Badger Clark
The birds of Faulkner
 
Selective thinking: Intersections of naturalism, capitalism and Darwinian evolution
Dangerous indulgences: Purposeful female illnesses in nineteenth-century women's fiction
 
Floodwall
"Holograham" and other poems
 
Mother/daughter dyads: Female identity construction in three contemporary female Bildungsromane
Sun Visor Spider
 
From Joe Christmas to Jim Crow: Echoes of minstrelsy in William Faulkner's "Light in August"
Domestic desires, national negotiations: Race, gender, and sexuality in nineteenth- and twentieth-century American border fictions
 
The images of Islam and American in "The Autobiography of Malcolm X"
The father, the box, and the unholy cowboy
 
When your wetsuit fails (and other stories)
Ghost Gear
 
The Quality of the Paper
All Hell, a Novel
 
The voices of animals and men
Working Week
 
A womb of their own: Chance and contraception in "McTeague" and "Sister Carrie"
The prostitution narrative: Revolutionaries, feminists, and prostitutes in early American literature
 
Time and the Inclination
The fictions we keep: Poverty in 1890s New York tenement fiction
 
The yellow scare: Developing "Bananapocalypse" from page to stage
Love and failure in the flyover states
 
Mind guerrillas: The Beat aesthetics of subversion and liberation
Dislocated: Trauma and narrative distance in Korean American literature
 
Towards a queer theatre: Four plays
Revising gender roles: The de-evolution of the heroine in the film adaptations of Edna Ferber
 
The Corvette in literature and culture: Material object and persistent image
Vile humor: Giving voice to the voiceless through dark comedy in southern gothic literature
 
Margaret Mitchell's "Gone With the Wind": The everyday Southern epic
Multiply voiced, multiply heard: Double-voiced discourse in Toni Morrison, Maryse Conde, and Nuruddin Farah
 
Damnation or illumination: Harold Frederic's social drama and the crisis of evangelical Protestant culture
Evidence of anxiety: Women's agency and engagement law in American literature and film, 1880--1935