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You are viewing titles for RUTGERS THE STATE UNIVERSITY OF NEW JERSEY NEW BRUNSWICK in the Music available through the UMI Dissertations & Thesis Gradwoorks site
 
Mobile music technology, communication isolation and community building: An analysis of college students' use of digital entertainment
 Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices
 
Visual art made musical: Issues of shape, proportion and large-scale form in "Escher Sketches"
 Surfing for punks: The Internet and the punk subculture in New Jersey
 
iPod people: Experiencing music with new music technology
 Aristoxenus "Elements of Rhythm": Text, translation, and commentary with a translation and commentary on POxy 2687
 
Pitch structure in Morton Feldman's compositions of 1952
 The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: Social networking practices of musicians
 
Don't abandon "our boat": Shifting perceptions of emigration in contemporary Senegalese literature and song
 The path of Wagner's Wotan: German idealism, Wagner's prose writings, and the idea of moral progress
 
Stasis in music and the formation of musical states, and, a portrait of an infant (on coming into being)
 "Upon the Square": An ex tempore and compositional practice in fifteenth- and early sixteenth-century England
 
Messiaen's Debussy: Modes of interpretation in Tome VI of "Traite de rythme, de couleur, et d'ornithologie"
 Enriching the French romance: Pauline Viardot-Garcia's early cosmopolitan songs (1838-1850)