Dissertations & Theses
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You are viewing titles for PRINCETON UNIVERSITY in the Music available through the UMI Dissertations & Thesis Gradwoorks site
Creative control: Morton Feldman, Lars von Trier, and Frank Zappa
Music and other music: Strategies of work-identity, appropriation, and narrative in the contemporary listening experience
Singing the body electric: The recorded voice, the mediated body
Listen and see: The musical provocation of visual imagery
Everyone can compose music
The final page of Mahler's Ninth Symphony
Theory and practice in the "Speculum musicae"
The sound of the medium
Temporal problematics raised by two metric versions of Luciano Berio's "Sequenza VII": A computer-assisted analysis and its implications for computer-aided composition
"Dalle sponde del tebro alle rive dell'adria": Maria Mancini and Lorenzo Onofrio Colonna's patronage of music and theater between Rome and Venice (1659--1675)
"I wanna take you higher": The stylistic development and cultural dissemination of post-psychedelic funk music
Everyone play: Sound, public space, and the (re)making of place
The motivic code: Defining an element of Mahler's style
The lady of sorrows: Music, devotion, and politics in the Burgundian-Habsburg Netherlands
Representing the Midwest in American stage and film musicals, 1943-1962
Radio, rubble, and reconstruction: The genre of Funkoper in postwar occupied Germany and the German Federal Republic, 1946-1957
Real-time Human Interaction with Supervised Learning Algorithms for Music Composition and Performance
Gender, identity and the voice in the music of the composer/performer with compositions: "Cythere (a trauma ballet in two parts)" and "Cross-sections: Four pieces for electric guitar quartet"
Diaghilev's "Sleeping Princess" (1921)
The critical composer: Political music during and after "The Revolution"
Form as reasoned freedom: Adolph Bernhard Marx's theoretical and critical writings in the context of German Romantic philosophy
Hip hop is Islam: Race, self-making and young Muslims in Chicago
The sonic object: Music in/as material with "The Exchange" (original music composition)
Where do social categories come from? A comparative analysis of online interaction and categorical emergence in music and finance
Skryabin, Rakhmaninov, and Prokofiev as composer-pianists: The Russian piano tradition, aesthetics, and performance practices
Embracing the clash
Loud speaker: Towards a component theory of media sound
Reading contemporary Chinese music: Reconsidering identity and cultural politics in analysis
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