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You are viewing titles for PRINCETON UNIVERSITY in the subject Art history available through the UMI Dissertations & Thesis Gradworks site.
 
"America as landscape": Marsden Hartley and New Mexico, 1918--1924
"Ogni amante e guerrier": Monteverdi and the war of love in early modern Italy
 
'According to the Polish sky and customs': Theories of art and architecture in early modern Poland
Attic votive plaques: A study on their iconography and function
 
Aurea condet saecula (per arva Saturno quondam). Imperial Habsburg Medals from the coronation of Frederick III (1452) until the succession of Maximilian I (1494): Art and legitimacy between feudalism and absolutism
Beyond mimesis in Greek religious art: Aniconism in the Archaic and Classical periods
 
Canopies: The framing of sacred space in the Byzantine ecclesiastical tradition
Conventional pictures: Charles Marville in the Bois de Boulogne (France)
 
Cornelis Drebbel (1572--1633): Fame and the making of modernity
Corot and the figure in the social environment
 
Creative control: Morton Feldman, Lars von Trier, and Frank Zappa
Donne attempate: Women of a certain age in sixteenth-century Venetian art
 
Dressed up and pasted down: Staged photography in the Victorian album
Elastic architecture: Frederick Kiesler and his research practice - a study of continuity in the age of modern production
 
Everyone play: Sound, public space, and the (re)making of place
Fin de siecle snapshots: National fictions, landscapes and multitudes
 
From abstraction to model: In the event of George Brecht & the conceptual turn in the art of the 1960s
Georges Seurat: Picturing perception
 
Gustave Moreau (1826--1898) and the afterlife of French history painting
Hagios Ioannis Prodromos Monastery on Mount Menoikeion: Byzantine monastic practice, sacred topography, and architecture
 
Intersections of architecture, photography, and personhood: Case studies in Mexican modernity
Intersections of art and literature of the Silesian Baroque: Studies on the works of Matthias Rauchmiller, Daniel Casper von Lohenstein, Michael Willmann, and Johannes Scheffler (Angelus Silesius)
 
Into the dark chamber: Avant-garde photograms and the cinematic imaginary
Irony in metaphysics's gravity: Iconoclasm and imagination in architecture, 1960s--1980s
 
Looking for Bruce Conner, 1957--1967
Materia y significacion en las poeticas latinoamericanas del siglo XX: Vanguardias, Noigandres y Jorge Eduardo Eielson
 
Midare performance and the aesthetics of decomposition
Monumental and intimate landscape by Guo Xi
 
Nicodemus Tessin the elder and German artists in Sweden in the age of the Thirty Years' War
Painters, picture-makers, and Lebanon: Ambiguous identities in an unsettled state
 
Philos and polities: The symposion and the origins of the polis (Greece)
Port-Royal aesthetics (France, Angelique Arnauld)
 
Refiguring the Palladian legacy: Architectural reform in eighteenth-century Venice
Style in motion: A dialogue between art history and literature, 1890--1935
 
The Marian miracle paintings of Alessandro Varotari (Il Padovanino, 1588--1649): Popular piety and painted proselytizing in seventeenth-century Venice
The Parma Baptistery and its pictorial program (Italy)
 
The Sanxingdui site: Art and archaeology
The creative simulacrum in architecture: Megastructure 1953--1972
 
The life of the Basilica of San Paolo fuori le Mura in Rome: Architectural renovations from the ninth to the nineteenth centuries
The lives of Shotoku: Narrative art and ritual in medieval Japan
 
The revenge of Ahriman: Images of Div s in the Shahnama, ca. 1300--1600
The still-life paintings of Vincent van Gogh and their context
 
The writing of ice: The literature and photography of polar regions
Visual culture in eighteenth-century natural history. Botanical illustrations and expeditions in the Spanish Atlantic
 
Word and image in the "Klosterneuburger Evangelienwerk" manuscript and cultural contexts for the vernacular
 
 
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