ProQuest Subject Index - Music at NEW YORK UNIVERSITY

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You are viewing titles for NEW YORK UNIVERSITY in the Music available through the UMI Dissertations & Thesis Gradwoorks site

Rethinking distortion: Towards a theory of 'sonic signatures'	"Chocolate surrealism:" Music, movement, memory and history

Pitch organization in Stephen Albert's "Symphony RiverRun": A study in modal combinations and tonal centricity	"Mento, Jamaica's original music": Development, tourism and the nationalist frame

Urban Grooves: The performance of politics in Zimbabwe's hip hop music	The aestheticization of reality: Postmodern music, art, and performance

Decentralized performance: An exploration of agent behaviors in metacreative musical systems	Merengue tipico in transnational Dominican communities: Gender, geography, migration and memory in a traditional music

La florinda: The performance of Virginia Ramponi Andreini	A repertory in exile: Pope Eugene IV and the MS Modena, Biblioteca Estense Universitaria, alpha. X.1.11

Constructivism in music education technology: Creating an environment for choral composition in the fourth and fifth grades	Improvising with tones---connecting jazz improvisation and serial music through Spooky Actions

The improvisational process of saxophonist George Garzone with analysis of selected jazz solos from 1995--1999	The creative process of music composition: A qualitative self-study

Enacting the canon: The dramatization of composers on the American stage and screen, 1910--1938	The musical making of race and place in Colombia's black Pacific

Parang side coming: The "color" and "sound" of Trinidad's "Spanish" heritage	Behind the mirror: Revealing the contexts of Jacobus's Speculum musicae

Lyric-form archetype and the early works for saxophone quartet, 1844--1928: An analytical and historical context for saxophone quartet performance	Music psychotherapy with Korean women who experienced son preference

Orchestration as interpretation in three orchestrations of Musorgsky's "Boris Godunov"	Sound visions: An ethnographic study of avant-garde jazz in New York City

The luminous noise of broken experience: Synaesthesia, acoustic memory, and childhood sexual abuse in the late 20th century United States	'Il suon, lo sguardo, il canto': Virtuose of the Roman conversazioni in the mid-seventeenth century

Co-creating Cinderella: Examining and documenting a collaboratory musical theatre process	The adaptation of the clarinet to Hindustani music: The playing style of Master Ebrahim

Analysis of expressive qualities in Witold Lutoslawski's Partita	The piper calls the tune: How uilleann bagpipers averted obsolescence through technology, networks and community

The music of Herbie Hancock: Composition and improvisation in the Blue Note years	The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich

Color variation: An analysis of Takemitsu's "From me flows what you call Time"	Fixed ideals and fluid practices in Greek Ecclesiastical Music

Organizing Scripture: Organum melos, composition, and memoria in a group of Notre-Dame responsories	Cultural practices of classical music in 21st century Vienna

From the perspective of critical theories: Classically trained cellists who improvise	A phenomenology of contemporary flute improvisation: Contextual explications of techniques, aesthetics, and performance practices

Outside In: Noisescapes from Dada to Punk	Nature's Music: Birds, Beasts, and Evolutionary Listening in the Twentieth Century

Music, Gender, and the Public Sphere in Twentieth-Century Ireland	The Politics of Affect and Acoustemology in Nagaland

More than a mass noise!?: Popular music and polyphonic soundscapes in postsocialist Chinese cinema, media, and culture	In the settlement house spirit: A case study of a community music school

The clinical use of musical components and their impact in improvisational music therapy	"Dramas without a stage, acts without singers": Rethinking the symphonic poems of Antonin Dvorak

Flute, voice, muse, and multimedia: Creating a work of performance art	The unpublished manuscripts of cellist and teacher Luigi Silva: Implications of the "Vademecum" for string playing

Between Two Monsters: Popular Music, Visual Media, and the Rise of Global Indie in 21st Century Uruguay	Isang Yun in-between: An analytical study of selected violin compositions

An examination of cadential note choices: Comparing improvisations of Scott Hamilton with Sidney Bechet, Michael Brecker, Don Byas, John Coltrane, Stan Getz, Dexter Gordon, Coleman Hawkins, Frankie Trumbauer, Ben Webster, and Lester Young	The political economy of music networks and glocal hybrid social imaginaries: A comparative study of the United States, Canada, and Brazil

Performance anxiety and the college musician: A survey study of situational triggers, symptoms, and ways of coping	Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning

Oblivious trailblazers: Case studies of the role of recording technology in the music-making processes of amateur home studio users	Finding the fountain of "you": A case study of older adult string players' identity, self-efficacy, and wellbeing as community musicians

Good news! A new methodology for music analysis, pedagogy, practice, and performance using Johan Huizinga's theory of play, including a play analysis of David Del Tredici's song cycle "Miz Inez Sez"	The virtuosic era of the vocalizing pianist

The Erotics of Ache: The Social Experience of Pleasure in Afro-Cuban Ritual Performance	Serial Aesthetics and the Concept of Technique: Mel Bochner and the 1960s