ProQuest Subject Index - Film studies at NEW YORK UNIVERSITY

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Screen adaptation as reading transaction: A creative application of Louise M. Rosenblatt's transactional theory of reading	Creating the world waiting to be created: Jack Smith and D. W. Winnicott performing themselves

Ghost-watching American modernity: Haunting the hemispheric imaginary	Behind the scenes: Understandings of school leadership from contemporary movies and TV shows

Film performance and the American vernacular: The independent acts of John Cassavetes	Transnational media imaginaries: Cinema, digital technology and uneven globalization

Self-staging auteurs in search of a cinema: Jean-Luc Godard, Woody Allen and Eduardo Coutinho	Retoricas de lo popular en el cine y la literatura argentina de la primera mitad del siglo XX

Figures of silent speech: Silent film dialogue and the American vernacular, 1909--1916	Narrating modernization: Documentary films in Cold War Italy (1948--1955)

The use of moral dilemmas derived from feature films to teach American history in secondary schools	The city that made the pictures move: Gender, labor, and the film industry in Los Angeles, 1908--1917

Calling all stars: Emerging political authority and cultural policy in the propaganda campaign of World War I	Enacting the canon: The dramatization of composers on the American stage and screen, 1910--1938

Vienna, girls, and Jewish authorship: Topographies of a cinematic city, 1920--40	Towards a poetics of neorealism: Tragedy in the Italian cinema 1942--1948

Realism, violence and representation of migrants and minorities in contemporary Europe	The traffic in technologies: Early cinema and visual culture in Bengal, 1840--1920

The market for ethics: Culture and the neoliberal turn at UNESCO	The forgiveness to come: Dreams and aporias

Riots in the Streets: Journalism, Mob Violence, and the Hollywood Left, 1949 to 1951	Star-laborers, body spectacle, and flexible specialization in global action cinema

More than a mass noise!?: Popular music and polyphonic soundscapes in postsocialist Chinese cinema, media, and culture	The End at The End: Apocalyptic Cinema at the Close of a Millennium

Travel and Italian Masculinities in Gianni Amelio's Cinema	The Transnational Asian Studio System: Cinema, Nation-State, and Globalization in Cold War Asia

Between Film, Video, and the Digital: The Art of Hybrid Moving Images, Medium Specificity, and Intermediality	Utopian Dreams meet Hard Realities: The Culture and Economics of the "Digital"

Trying To Get Over: African American Directors After Blaxploitation, 1977--1986	Main Street Movies: Local Films in the United States, 1909--1934

Italians on the Move: Towards a History of Migration Cinema	No End In Sight: Complicated Closures During Late Communism in Poland

Operatic Imagination: Vernacular Chinese Film Culture in a Hong Kong-China Nexus 1933--1985	Reality Bytes: Reclaiming the Real in Digital Documentary

Rhythmic Film: Time and Mediation in Classical Film Theory and Aesthetics