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You are viewing titles for INDIANA UNIVERSITY in the Music available through the UMI Dissertations & Thesis Gradwoorks site
Differences in Myers-Briggs personality types among high school band, orchestra, and choir members
"Raise Up, Be Heard": The Musical Revue for Social Change
Telling tourists the "untold stories": Reggae, stage talk, and cross-cultural touristic communicative competence in the Jamaican hotel industry
African Americans in old-time music: Past and present
Music genre on the move: Discourse and the cultural production of Japanese visual rock in Hong Kong
From street Parrandas to folkloric festivals: The institutionalization of Bullerengue music in the Colombian Uraba region
Cultural performances of German national identity: Popular music, body culture, and the 2006 FIFA World Cup
The nonprofit niche: Managing music education in arts organizations
Virtuoso, composer, and teacher: Henriette Renie's compositions and transcriptions for harp in perspective
De la pampa al cielo: The development of tonality in the compositional language of Alberto Ginastera
"The following record": Making sense of phonographic performance, 1877--1908
Relationships among impulsivity, achievement goal motivation, practice behavior, and the performance achievement of high school wind players
Ideology and folksong re-creation in the home-recorded repertoire of W. D. Collins
Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology
The proposta e risposta madrigal, dialogue, cultural discourse, and the issue of imitatio
The effect of instruction with song-related tonal patterns on second graders' pitch reading accuracy
Attentional focus as a mediator in the anxiety-performance relationship: The enhancement of music performance quality under stress
A study of factors influencing reported fundraising efficiency of symphony orchestras
Relationships among instrument choice, instrument transfer, subject sex, and gender-stereotypes in instrumental music
Relationships between college level wind instrumentalists' achievement in intonation perception and performance
Text-music relationships in the solo songs of Felix Mendelssohn
The effect of aural versus notated instructional materials on achievement and self-efficacy in jazz improvisation
Secondary choral music education in Hong Kong: Relations among motivation to music, meaning of the choral experience, and selected demographic variables
Transnational communities through global tourism: Experiencing Celtic culture through music practice on Cape Breton Island, Nova Scotia
Everybody likes Saturday night: A social history of popular music and masculinities in urban Gold Coast/Ghana, c. 1900--1970
Globalization and the regional flow of popular music: The role of the Korean Wave (Hanliu) in the construction of Taiwanese identities and Asian values
Multiply-directed moments in the music of Brahms
An acoustic study of the singer's formant: The comparison between Western classical and traditional Chinese opera singing techniques
Interposed between God and man: Agency in the Requiems of Berlioz and Faure
Performing heritage: Metis music, dance, and identity in a multicultural state
Dance discourse in the music and lives of Presbyterian Mvano women in southern Malawi
The darker side of sound: Conflicts over the use of soundscapes for musical performances
Expressive asynchrony and meter: A study of dispersal, downbeat space, and metric drift
A theory of irony in music: Types of irony in the string quartets of Haydn and Beethoven
Analysis of wrist flexion and extension in piano performance: Biomechanical and anthropometrical perspectives
Rough to the board: Creating performance in American recording studios
Defining and representing all that jazz: An ethnographic study of an African American music in Kansas City
Semiotic organology: A peircean examination of the bagpipe and hurdy-gurdy in Hungary
Kugaguˇi segyehwa: Contemporary "traditional" music and globalization in South Korea
The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood
Acoustical and perceptual analyses of the voices of classroom music teachers
Ingoma yomzabalzo---music of the struggles: Ethnography of a South African Zulu choral music and the HIV/AIDS struggle
Popular music in the culture of ambivalence: The search for identity in the sixteenth-century Low Countries
Pedagogical and compositional techniques in treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier
Visualization of music relational information sources for analysis, navigation, and discovery
Where nature and art adjoin: Investigations into the Zarlino-Galilei dispute, including an annotated translation of Vincenzo Galilei's "Discorso intorno all'opere di Messer Gioseffo Zarlino"
Staging nationalism: Performance, power, and representation in Ghana's state dance ensembles
Reconstructing tonal principles in the music of Brad Mehldau
Alternative windows into tradition: Non-hereditary practices in Hindustani Khyal music
Felix Godefroid: Virtuoso Harpist and Composer An Overview of His Performance Career and Harp Compositions
"No room for squares": The hip and modern image of Blue Note Records, 1954-1967
The Josef Bonime Collection of Radio Music: Music and advertising in the golden age of radio
Proportion, temporality, and performance issues in piano works of John Adams
Performing conversion among the Dine Oodlani (Navajo believers)
Dancing Connections: The Practice of Guinean Dance and drum in Xalapa, Veracruz, Mexico
Defining community need through the lens of the elite: A history of the Indianapolis Foundation and its funding of the Indianapolis Symphony Orchestra, 1893--1984
Musicat: A computer model of musical listening and analogy-making
George Whitefield Chadwick and the American vernacular in his chamber works
Staging nostalgia in Puccini's operas
A semiotic interpretation of Liszt's piano works in light of their extramusical sources