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Hara Setsuko as mediator between prewar and postwar values in Occupation period film
State of the art: Special effects in U.S. blockbuster franchises
 
Between thought and feeling: Affect, audience, and critical film history
Radical form, political intent: Delineating countercinemas beyond Godard
 
Galdosian novels adapted in film and television: 1970--1998
Fear of a queer cinema: Danger, sex, and identification in contemporary American independent film
 
The "reel" professoriate: The portrayal of professors in American film, 1930--1950
Strolling the streets of modernity: Experiences of flanerie and cityscapes in Italian postwar film
 
Vamps, Eintanzer, and desperate housewives: Social dance in Weimar literature and film
From Boyz to the banlieue: Race, nation, and mediated resistance
 
A journey against the tides: Documentary film production as critical pedagogical practice and counterstory
Linguistic diversity and changing technology in India's regional film markets
 
Negotiating local, regional, and global: Nationalism, hybridity, and transnationalism in New Korean Cinema
The modern Prometheus: The persistence of an ancient myth in the modern world, 1950 to 2007
 
Fields of dreams: The image of the sixties in American cinema
Technological change and production location in the movie industry: A study of genre trends in 7 countries
 
Transnational cinema, transcultural capital: Cinema distribution and exhibition in Metro-Manila, Philippines, 2006-2009
The truth is out there: Cultural paranoia, new media technologies, and the contemporary Hollywood misdirection film
 
A frown upside down / the affective, cultural and convergence histories of Disney's "Song of the South" (1946)
Historians, storytellers, mythmakers: NFL Films and the pro football experience
 
Out of adjustment: Forging masculinities at the intersection of postwar American drama and film
Some of us are looking at the stars: Japanese women, Hong Kong films, and transcultural fandom
 
Image, son, et mot dans "Un homme qui dort" de Georges Perec
Disrupting reality: Doubt, authority and the documentary performance
 
Coming of age with Shakespeare: The convergence of American youth culture and high culture since the 1980s
Adapting anime: Transnational media between Japan and the United States