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INDIANA UNIVERSITY
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The human is the limit. Modernity and the ideology of the human in late American Modernism: Kenneth Burke, Nathanael West, and Richard Wright
Middling fiction: Antebellum magazine story style, substance, and sensibility
Traveling to meet the dead 1750--1860: A study of literary tourism and necromanticism
Radicalism in America's "industrial jungle": Metaphors of the primitive and the industrial in activist texts
The body of property: Space, embodiment, and the phenomenology of possession in antebellum American literature
Res videns: The subject and vision in the plays of Samuel Beckett, Sam Shepard, and Harold Pinter
On location: Race and family in the poetry of Sonia Sanchez, June Jordan, and Cathy Song
The inward urge: 1960s science fiction and imperialism
Speech acts at work in tragedy: Ordinary language from the classical to the contemporary stage
Darwin's sisters: Darwinian catalysts in late nineteenth-century feminism
Discourses of the digital age: Representations of computer technology in popular narratives
Imperial correspondence: Soldiers, writing, and the imperial quotidian during the Spanish-American and Philippine-American Wars
Out of adjustment: Forging masculinities at the intersection of postwar American drama and film
One story, many voices: Problems of unity in the short-story cycle
Known criminals Nineteenth-century U.S. crime literature and the epistemology of notoriety
Action in the age of intelligent machines: Posthumanist models of agency in contemporary cyberfiction
Anxieties of affiliation: Twinship, spectacle, and race in the U.S. cultural imaginary
Weird modernism: The technologies of affect and the body in pulp fiction
"This is Harlem speaking now": The cultural politics of vernacular and twentieth century African American agitprop theater
This isn't really happening: Fictions, decisions, and the unauthorized modern
Bearing others: Maternity at the margins of modernism
Theatrical properties: Inheritance and modern American drama
Nowhere near: Displaced self and nation in Korean and American postmodern texts