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HARVARD UNIVERSITY
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Home and the Unheimlich in the "Arabian Nights": Shahrazad's Curative Themes Linking the Story-cycles to the Frame-Story
Brechtian Influence in Two Novels by Emine Sevgi Ozdamar
Narrative Complexity in the Talking-Dog Stories of Cervantes, Hoffmann, Gogol, Bulgakov, and Kafka
Paradoxical corpographies: Towards an ethics of inscription
Intermediacy: A poetics of unfreedom in interwar Russian, Polish, and Czech literatures
The social life of authorial intention in English criticism, 1671--1712
Translation, geography, and the Divine Word: Mediating frontiers in pre-modern Islam
Gogol's play with multiple addressees: Society vaudeville and satirical comedy in "The Inspector General"
Inhuman speakers: Failed recognition in modernism
"Spleen ridiculous": Courtly humor in Rabelais and Shakespeare
Mankind, my kind, myself: How we read autobiographies as representative texts
Haunting contemporary narrative: Juan Rulfo, Toni Morrison, Carlos Fuentes, Leslie Marmon Silko, Martin Amis
Cinema, spatial thought, and the ends of modernity. Argentina and Brazil in the sixties
Imperial expansion: Translation and universality in modern Austrian and German cultures
Power in the tongue: Speech and the modernist relocation of ethics
Songs of ourselves: Xu Wei's (1521--1593) "Four Cries of a Gibbon" (Sisheng yuan)
To catch a spy: Explorations in subjectivity
Between the lines: Literary transnationalism through poetic representations of freedom and slavery
Pacific crossings: China, the United States, and the transpacific imagination
Editorial agency. On the posthumous life of the written word
Textual travels and traveling texts: Tracing encounters with German culture, literature and thought in Late Qing and Early Republican China
The role of the author in Juan Carlos Onetti and Juan Jose Saer
Disintegrated yet part of the scheme: Whitman's double legacy to poets of New York
Sinographics: Becoming Chinese art
Existentialism, realism, and the novel
The politics of multilingualism in the works of Richard Rodriguez and Sandra Cisneros
Framed! Encountering otherness in frame narratives
Found in translation: Shakespeare's Cleopatra in English and Chinese
Aesthetic constructs and the work of play in 20th century Latin American and Russian literature
Stone, steel, glass: Constructions of time within European modernity
Deception Narratives and the (Dis)Pleasure of Being Cheated: The Cases of Gogol, Nabokov, Mamet, and Flannery O'Connor
Nerval, la parole a double tranchant. Le theatre et le temple, ou l'ironie du litteraire
L'Imaginaire de la peste dans la litterature francaise de la Renaissance
Be an Outlaw, Be a Hero: Cinematic Figures of Transgression and Urban Banditry in Brazil, France, and the Maghreb