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Pop Music with a Purpose: The Organization of Contemporary Religious Music in the United States
The Echo Over the Voice
Piano Concerto
Mozart's violin sonatas and the gestures of embodiment: The subjectivities of performance practice
Crossing the channel: Cultural identity in the court entertainments of Queen Henrietta Maria, 1625--1640
Sound, mediation, and meaning in Miles Davis's "A Tribute to Jack Johnson"
O du mein Osterreich: Patriotic music and multinational identity in the Austro-Hungarian empire
Reality by design: Advertising image, music and sound design in the production of culture
Learning to listen, learning to be: African-American girls and hip-hop at a Durham, NC Boys and Girls Club
Concerto for Free Improvising Alto Saxophonist and Jazz Orchestra
The early career of Johannes Tinctoris: An examination of the music theorist's northern education and development
Fan Jing
Timepiece
SuperConductors: Handbook for a New Democratic Music
Evolutionary Sketches
"Song of the Morrigan" for Chamber Orchestra, "Cries of Revelation" for Chorus, Soloists and Large Instrumental Ensemble, and "Fragments of a Dream" for 5.1 Surround Electronics
The Yellow Wallpaper
Navajo Voices: Country Music and the Politics of Language and Belonging
"Four Seasons" after Haiku of Basho for Ensemble of Chinese Instruments and "Spring Air" and "Winter Night" for Dizi, Zheng and String Quartet
Theoretical Treatments of the Semiminim in a Changing Notational World c. 1315--c. 1440
Last Wave Reached, and, Register, Harmony, and Phrase Design in Webern's Op. 24 and Op. 27