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COLUMBIA UNIVERSITY
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You are viewing titles for COLUMBIA UNIVERSITY in the Art history available through the UMI Dissertations & Thesis Gradwoorks site
Public (dis)order: Yves Klein, 1945--1962
Jasper Johns, 1954--1958: Persecution and the art of painting
Art and artifice in the "Satyricon"
"Quadrante" and the politicization of architectural discourse in fascist Italy
Illustrating the Book of Nature in the Renaissance: Drawing, painting, and printing geometric diagrams and scientific figures
Spain in Naples: Building, sculpture, and painting under the viceroys (1585--1621)
Generating identity through plan and architecture: Barcelona Cathedral, Gothic drawing and the Crown of Aragon
Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet
A language for change: Creativity and power in Mozambican Makonde masked performance, circa 1900--2004
The landscapes of Saint-Pierre d'Orbais: An anthropology of monastic architecture
Corinth and the birth of figural representation in Greek monumental architecture
Soaring votives: Anathemata in archaic Greek sanctuaries
Competing representations: The 'Volk' in German visual culture 1890--1900
On stepping stones: The historical experience of Roman mosaics
The gradual and sacramentary of Hainricus Sacrista (Pierpont Morgan Library, M. 711): Liturgy, devotion, and patronage at Weingarten Abbey
Gustave Courbet and the origins of modern painting 1862--1870
The space of painting: Kurt Schwitters and El Lissitzky
Perception and pedagogy: Design, advertising and education in Chicago, c. 1935--1955
Serio ludere: Baroque invenzione and the development of the capriccio
From fine art to fashion: Man Ray's ambivalent avant-garde
Liberal visions: The art world, the social world and the Victorian novel
Objects of a visual politics: Montage and the refigurations of collective vision in early Stalinist Russia (1927--1932)
Beyond historicism: Jakob von Falke and the reform of the Viennese interior
Shaping sacred space: Studies in the ritual architecture and artistic programs of early Buddhist cave temples and their relation to tombs in fifth century China
Frame works: Paintings-within-paintings in nineteenth-century Britain
The elusive crane: Memory, metaphor and a stone monument from sixth century China
Domoto Insho (1891-1975) and Buddhist temple art in 20th century Japan
The problem of media in contemporary art theory 1960--1990
Images of ritual mockery on Greek vases
The historicization of Chinese architecture: The making of architectural historiography in China, from the late nineteenth century to 1953
Measure and the unmeasurable: Perspective and the Renaissance landscape
Carl Andre, Richard Serra, the problem of materials, and the picture of matter
Cy Twombly and the ethics of painting
Artistic training and print culture in the time of Rubens
Camera's lens and mind's eye: James McNeill Whistler and the science of art
The future of history: The cultural politics of Soviet architecture, 1928-41
The Modern Solar House: Architecture, Energy, and the Emergence of Environmentalism, 1938--1959
Movement and the Making of Place in the Hittite Landscape
Burying the Gods: Depositing Statues in Late Antiquity
Upheaval and Transformation: The Volcano in American and European Art, 1765--1865
The Limits of Memory: Alfonso Caso and narratives of tomb assemblage from Monte Alban, Oaxaca, Mexico, 500--800 and 1931--1949 CE
Tendrils of Lost Time and the Self An Aesthetic Anthropology of New York City's "Post"-Avant-Garde
"Disconcerting Landscapes": Seriality, System, and Subjectivity in Postmodern American Poetry
Design and the politics of knowledge in America, 1937--1967: Walter Gropius, Gyorgy Kepes
"Scribner's Monthly" 1870--1881: Illustrating a New American Art World
The Building Program of Archbishop Walter de Gray: Architectural Production and Reform in the Archdiocese of York, 1215--1255
On Earth as It Is in Heaven? The Creation of the Bastide Towns of Southwest France
Building a Continent: The Idea of Latin American Architecture in the Early Postwar
Forming Dorasamudra: Temples of the Hoysala Capital in Context
When Worlds Collide---Art, Cartography, and Japanese Nanban World Map Screens